CHAPTER IV
LIFE AND EXPERIENCES IN THE METROPOLIS
My health was somewhat impaired by an attack of chills and fever while I
was still a pupil at Madame Chegaray's school. Long Island was
especially affected with this malady, and even certain locations on the
Hudson were on this account regarded with disfavor. In subsequent years,
when the building operations of the Hudson River railroad cut off the
water in many places and formed stagnant pools, it became much worse. As
I began to convalesce, Dr. John W. Francis prescribed a change of air,
and I was accordingly sent to Saratoga to be under the care of my
friend, Mrs. Richard Armistead of North Carolina. A few days after my
arrival we were joined by Mrs. De Witt Clinton and her attractive
step-daughter, Julia Clinton. The United States Hotel, where we stayed,
was thronged with visitors, but as I was only a young girl my
observation of social life was naturally limited and I knew but few
persons. Mrs. Clinton was a granddaughter of Philip Livingston, the
Signer, and married at a mature age. She had a natural and most profound
admiration for the memory of her illustrious husband, whom I have heard
her describe as "a prince among men," and she cherished an undying
resentment for any of his political antagonists.
While we were still at the United States Hotel, Martin Van Buren, at
that time President of the United States, arrived in Saratoga and
sojourned at the same hotel with us. His visit made an indelible
impression upon my memory owing to a highly sensational incident. During
the evening of the President's arrival Mrs. Clinton was promenading in
the large parlor of the hotel, leaning upon the arm of the Portuguese
_Chargé d'Affaires_, Senhor Joaquim Cesar de Figanière, when Mr. Van
Buren espying her advanced with his usual suavity of manner to meet her.
With a smile upon his face, he extended his hand, whereupon Mrs. Clinton
immediately turned her back and compelled her escort to imitate her,
apparently ignoring the fact that he was a foreign diplomat and that his
conduct might subsequently be resented by the authorities in Washington.
This incident, occurring as it did in a crowded room, was observed by
many of the guests and naturally created much comment. In talking over
the incident the next day Mrs. Clinton told me she was under the
impression that Mr. Van Buren clearly understood her feelings in regard
to him, as some years previous, when he and General Andrew Jackson
called upon her together, she had declined to see him, although Jackson
had been admitted. This act was characteristic of the woman. It was the
expression of a resentment which she had harbored against Mr. Van Buren
for years and which she was only abiding her time to display. I was
standing at Mrs. Clinton's side during this dramatic episode, and to my
youthful fancy she seemed, indeed, a heroine!
Mrs. Clinton was a social leader in Gotham before the days of the
_nouveaux riches_, and her sway was that of an autocrat. Her presence
was in every way imposing. She possessed many charming characteristics
and was in more respects than one an uncrowned queen, retaining her
wonderful tact and social power until the day of her death. I love to
dwell upon Mrs. Clinton because, apart from her remarkable personal
characteristics, she was the friend of my earlier life. Possessed as she
was of many eccentricities, her excellencies far counterbalanced them.
Of the latter, I recall especially the unusual ability and care she
displayed in housekeeping, which at that time was regarded as an
accomplishment in which every woman took particular pride. To be still
more specific, she apparently had a much greater horror of dirt than the
average housewife, and carried her antipathy to such an extent that she
tolerated but few fires in her University Place establishment in New
York, as she seriously objected to the uncleanness caused by the dust
and ashes! No matter how cold her house nor how frigid the day, she
never seemed to suffer but, on the contrary, complained that her home
was overheated. Her guests frequently commented upon "the nipping and
eager air" which Shakespeare's Horatio speaks of, but it made no
apparent impression upon their hostess.
Mrs. Clinton's articulation was affected by a slight stammer, which, in
my opinion, but added piquancy to her epigrammatic sayings. She once
remarked to me, "I shall never be c-c-cold until I'm dead." An impulse
took possession of me which somehow, in spite of the great difference in
our ages, I seemed unable to resist, and I retorted, "We are not all
assured of our temperatures at that period." She regarded me for a few
moments with unfeigned astonishment, but said nothing. I did not suffer
for my temerity at that moment, but later I was chagrined to learn she
had remarked that I was the most impertinent girl she had ever known. I
remember that upon another occasion she told me that one of Governor
Clinton's grandchildren, Augusta Clinton, was about to leave school at a
very early age. "Doesn't she intend to finish her education?" I
inquired. "No," was the quick and emphatic but stuttering reply, "she's
had sufficient education. I was at school only two months, and I'm sure
I'm smart enough." Her niece, Margaret Gelston, who was present and was
remarkable for her clear wits, retorted: "Only think how much smarter
you'd have been if you had remained longer." In an angry tone Mrs.
Clinton replied, "I don't want to be any smarter, I'm smart enough."
Mrs. Clinton's two nieces, the Misses Mary and Margaret Gelston, were
among my earliest and most intimate friends. They occupied a prominent
social position in New York and both were well known for their unusual
intellectuality. They were daughters of Maltby Gelston, President of the
Manhattan Bank, and granddaughters of David Gelston, who was appointed
Collector of the Port of New York by Jefferson and retained that
position for twenty years. Late in life Mary Gelston married Henry R.
Winthrop of New York. She died a few years ago leaving an immense estate
to Princeton Theological Seminary. "I pray," reads her will, "that the
Trustees of this Institution may make such use of this bequest as that
the extension of the Church of Christ on earth and the glory of God may
be promoted thereby." In the same instrument she adds: "As a similar
bequest would have been made by my deceased sister, Margaret L. Gelston,
had she survived me, I desire that the said Trustees should regard it as
given jointly by my said sister and by me." Some distant relatives,
thinking that her money could be more satisfactorily employed than in
the manner indicated, contested the will, and the Seminary finally
received, as the result of a compromise, between $1,600,000 and
$1,700,000.
One of my earliest recollections is of John Jacob Astor, a feeble old
man descending the doorsteps of his home on Broadway near Houston Street
to enter his carriage. His house was exceedingly plain and was one of a
row owned by him. His son, William Backhouse Astor, who married a
daughter of General John Armstrong, Secretary of War under President
Madison, during at least a portion of his father's life lived in a fine
house on Lafayette Place. I have attended evening parties there that
were exceedingly simple in character, and at which Mrs. Astor was always
plainly dressed and wore no jewels. I have a very distinct recollection
of one of these parties owing to a ludicrous incident connected with
myself. My mother was a woman of decidedly domestic tastes, whose whole
life was so immersed in her large family of children that she never
allowed an event of a social character to interfere with what she
regarded as her household or maternal duties. We older children were
therefore much thrown upon our own resources from a social point of
view, and when I grew into womanhood and entered society I was usually
accompanied to entertainments by my father. Sometimes, however, I went
with my lifelong friend, Margaret Tillotson Kemble, a daughter of
William Kemble, of whom I shall speak hereafter. Upon this particular
occasion I had gone early in the day to the Kembles preparatory to
spending the night there, with the intention of attending a ball at the
Astors'. Having dined, supped, and dressed myself for the occasion, in
company with Miss Kemble and her father I reached the Astor residence,
where I found on the doorstep an Irish maid from my own home awaiting my
arrival. In her hand she held an exquisite bouquet of pink and white
japonicas which had been sent to me by John Still Winthrop, the _fiancé_
of Susan Armistead, another of my intimate friends. The bouquet had
arrived just after my departure from home and, quite unknown to my
family, the Irish maid out of the goodness of her heart had taken it
upon herself to see that it was placed in my hands. I learned later
that, much to the amusement of many of the guests, she had been awaiting
my arrival for several hours. It seems almost needless to add that I
carried my flowers throughout the evening with much girlish pride and
pleasure.
Among the guests at this ball was Mrs. Francis R. Boreel, the young and
beautiful daughter of Mr. and Mrs. Walter Langdon, who wore in her dark
hair a diamond necklace, a recent gift from her grandfather, John Jacob
Astor. It was currently rumored at the time that it cost twenty thousand
dollars, which was then a very large amount to invest in a single
article of that character. Mrs. Langdon's two other daughters were Mrs.
Matthew Wilks, who married abroad and spent her life there, and the
first Mrs. De Lancey Kane, who made a runaway match, and both of whom
left descendants in New York. All three women were celebrated for their
beauty, but Mrs. Boreel was usually regarded as the handsomest of the
trio. Mrs. Walter Langdon was Dorothea Astor, a daughter of John Jacob
Astor, and her husband was a grandson of Judge John Langdon of New
Hampshire, who equipped Stark's regiment for the battle of Bennington,
and who for twelve years was a member of the United States Senate and
was present as President _pro tempore_ of that body at the first
inauguration of Washington.
Another society woman whose presence at this ball I recall, and without
whom no entertainment was regarded as complete, was Mrs. Charles
Augustus Davis, wife of the author of the well-known "Jack Downing
Letters." Indeed, the name "Jack Downing" seemed so much a part of the
Davis family that in after years I have often heard Mrs. Davis called
"Mrs. Jack Downing." The Davises had a handsome daughter who married a
gentleman of French descent, but neither of them long survived the
marriage.
In an old newspaper of 1807 I came across the following marriage notice,
which was the first Astor wedding to occur in this country:
BENTZON--ASTOR. Married, on Monday morning, the 14th ult.
[September], by the Rev. Mr. [Ralph] Williston, Adrian B.
Bentzon, Esq., of the Isle of St. Croix, to Miss Magdalen
Astor, daughter of John Jacob Astor of this city.
It was while on a cruise among the West Indies that Miss Astor met Mr.
Bentzon, a Danish gentleman of good family but moderate fortune. In the
early part of the last century many ambitious foreigners went to that
part of the world with the intention of making their fortunes.
Another daughter of John Jacob Astor, Eliza, married Count Vincent
Rumpff, who was for some years Minister at the Court of the Tuileries
from the Hanseatic towns of Germany. She was well known through life,
and long remembered after death, for her symmetrical Christian
character. One of her writings, entitled "Transplanted Flowers," has
been published in conjunction with one of the Duchesse de Broglie,
daughter of Madame de Staël, with whom she was intimately associated in
her Christian works.
Henry Astor, the brother of John Jacob Astor, was the first of the
family to come to America. I am able to state, upon the authority of the
late Rev. Dr. Morgan Dix, rector of Trinity church in New York, and a
life-long friend of the whole Astor connection, that he was a private in
a Hessian regiment that fought against our colonies in the Revolutionary
War. After its close he decided to remain in New York where he entered
the employment of a butcher in the old Oswego market. He subsequently
embarked upon more ambitious enterprises, became a highly successful
business man and at his death left a large fortune to his childless
widow. Dr. Dix has stated that it was probably through him that the
younger brother came to this country. However this may be, John Jacob
Astor sailed for America as a steerage passenger in a ship commanded by
Capt. Jacob Stout and arrived in Baltimore in January, 1784. He
subsequently went to New York, where he spent his first night in the
house of George Dieterich, a fellow countryman whom he had known in
Germany and by whom he was now employed to peddle cakes. After remaining
in his employ for a time and accumulating a little money he hired a
store of his own where he sold toys and German knickknacks. He
afterwards added skins and even musical instruments to his stock in
trade, as will appear from the following in _The Daily Advertiser_ of
New York, of the 2d of January, 1789, and following issues:
J. Jacob Astor,
At No. 81, Queen-street,
Next door but one to the Friends Meeting-House,
Has for sale an assortment of
Piano fortes, of the newest construction,
Made by the best makers in London, which he will sell on
reasonable terms.
He gives Cash for all kinds of FURS:
And has for sale a quantity of Canada Beaver, and
Beaver Coating, Racoon Skins, and Racoon Blankets,
Muskrat Skins, &c. &c.
It would seem that these Astor pianos were manufactured in London and
that George Astor, an elder brother of John Jacob Astor, was associated
with the latter in their sale. Indeed, one of them, formerly owned by
the Clinton family and now in Washington's Headquarters in Newburgh,
bears the name of "Geo. Astor & Co., Cornhill, London;" while still
another in my immediate neighborhood in Washington has the inscription
of "Astor and Camp, 79 Cornhill, London." Their octaves were few in
number, and a pupil of Chopin would have regarded them with scorn; but
upon these little spindle-legged affairs a duet could be performed. My
first knowledge of instrumental music was derived from one of these
pianos, and among the earliest recollections of my childhood is that of
hearing my three maiden aunts, my father's sisters, playing in turn the
inspiring Scotch airs upon the Astor piano that stood in their
drawing-room. One of their songs was especially inimical to cloistered
life and it, too, was possibly of Scotch origin. I am unable to recall
its exact words, but its refrain ran as follows:
I will not be a nun,
I can not be a nun,
I shall not be a nun,
I'm so fond of pleasure
I'll not be a nun.
I own an original letter written by John Jacob Astor from New York on
the 26th of April, 1826, addressed to ex-President James Monroe, my
husband's grandfather, which I regard as interesting on account of its
quaint style:
Dear Sir,
Permit me to congratulate you on your Honourable retirement
[from public life] for which I most sincerely wish you may
enjoy that Peace and Tranquility to which you are so justly
entitled.
Without wishing to cause you any Inconveniency [sic] on
account of the loan which I so long since made to you I
would be glad if you would put it in a train of sittlelment
[sic] if not the whole let it be a part with the interest
Due.
I hope Dear Sir that you and Mrs. Monroe enjoy the best of
health and that you may live many years to wittness [sic]
the Prosperity of the country to which you have so
generously contributed.
I am most Respectfully Dear Sir your obed S. &c.
J. J. ASTOR.
The Honble James Monroe.
It may here be stated that Mr. Astor's solicitude concerning Mr.
Monroe's financial obligation was duly relieved, and that the debt was
paid in full.
John Jacob Astor's numerous descendants can lay this "flattering
unction" to their souls, that every dollar of his vast wealth was
accumulated through thrift while leading an upright life.
An old-fashioned stage coach in my early days ran between New York and
Harlem, but the fashionable drive was on the west side of the city
along what was then called the "Bloomingdale Road." Many fashionable New
Yorkers owned and occupied handsome country seats along this route, and
closed their city homes for a period during the heated term. I recall
with pleasure the home of the Prussian Consul General and Mrs. John
William Schmidt, and especially their attractive daughters. Mr. Schmidt,
who came to this country as a bachelor, married Miss Eliza Ann Bache of
New York. Quite a number of years subsequent to this event, before they
had children of their own, they adopted a little girl whom they named
Julia and whom I knew very well in my early girlhood. As equestrian
exercise was popular in New York at that time, many of the young men and
women riding on the Bloomingdale Road would stop at the Schmidts'
hospitable home, rest their horses and enjoy a pleasing half-hour's
conversation with the daughters of the household. Among the fair riders
was Mary Tallmadge, a famous beauty and a daughter of General James
Tallmadge. During her early life and at a period when visits abroad were
few and far between, her father accompanied her to Europe. During her
travels on the continent she visited St. Petersburg, where her beauty
created a great sensation. While there the Emperor Nicholas I. presented
her with a handsome India shawl. She returned to America, married Philip
S. Van Rensselaer, a son of the old Patroon, and lived for many years on
Washington Square in New York.
Alexander Hamilton and family also owned and occupied a house in this
charming suburb called "The Grange." It was subsequently occupied by
Herman Thorne, who had married Miss Jane Mary Jauncey, a wealthy heiress
of New York. He lived in this house only a few years when he went with
his wife to reside in Paris during the reign of Louis Philippe. Mr.
Thorne became the most prominent American resident there and excited
the envy of many of his countrymen by his lavish expenditure of money.
His daughters made foreign matrimonial alliances. He was originally from
Schenectady, for a time was a purser in the U.S. Navy, and was
remarkable for his handsome presence and courtly bearing.
Jacob Lorillard lived in a handsome house in Manhattanville, a short
distance from the Bloomingdale Road. He began life, first as an
apprentice and then as a proprietor, in the tanning and hide business,
and his tannery was on Pearl Street. He then, with his brothers,
embarked in the manufacture and sale of snuff and tobacco, in which, as
is well known, he amassed an immense fortune. My earliest recollection
of the family is in the days of its great prosperity. One of Mr.
Lorillard's daughters, Julia, who married Daniel Edgar, I knew very
well, and I recall a visit I once made her in her beautiful home, where
I also attended her wedding a few years later. At this time her mother
was a widow, and shortly after the marriage the place was sold to the
Catholic order of the _Sacre Coeur_. Mrs. Jacob Lorillard was a daughter
of the Rev. Doctor Johann Christoff Kunze, professor of Oriental
Languages in Columbia College.
Many years ago the wags of London exhausted their wits in fittingly
characterizing and ridiculing the numerous equipages of a London
manufacturer of snuff and tobacco. One couplet suggestive of the manner
in which this vast wealth was acquired, was
Who would have thought it
That Noses had bought it.
The suitor of the daughter of this wealthy Englishman was appropriately
dubbed "Up to Snuff." Alas, this ancestral and aristocratic luxury of
snuff departed many years ago, but succeeding generations have been "up
to snuff" in many other ways. The gold snuff-box frequently studded
with gems which I remember so well in days gone by and especially at the
home Gouverneur Kemble in Cold Spring, where it was passed around and
freely used by both men and women, now commands no respect except as an
ancestral curio. Dryden, Dean Swift, Pope, Addison, Lord Chesterfield,
Dr. Johnson, Garrick, Sir Joshua Reynolds, Keats, Charles Lamb, Gibbon,
Walter Scott and Darwin were among the prominent worshipers of the
snuff-box and its contents, while some of them indulged in the habit to
the degree of intemperance. In describing his manner of using the
snuff-box Gibbon wrote: "I drew my snuff-box, rapped it, took snuff
twice, and continued my discourse in my usual attitude of my body bent
forwards, and my fore-finger stretched out;" and Boswell wrote in its
praise:
Oh, snuff! our fashionable end and aim--
Strasburgh, Rappe, Dutch, Scotch--whate'er thy name!
Powder celestial! quintessence divine
New joys entrance my soul while thou art mine;
Who takes? who takes thee not? Where'er I range
I smell thy sweets from Pall Mall to the 'Change.
While the spirit of patriotism was as prevalent in early New York as it
is now, it seems to me that it was somewhat less demonstrative. The 4th
of July, however, was anticipated by the youngsters of the day with the
greatest eagerness and pleasure. It was the habit of my father, for many
years, to take us children early in the morning to the City Hall to
attend the official observances of the day, an experience which we
naturally regarded as a great privilege. Booths were temporarily erected
all along the pavement in front of the City Hall, where substantial food
was displayed and sold to the crowds collected to assist in celebrating
the day. About noon several military companies arrived upon the scene
and took their positions in the park, where, after a number of
interesting maneuvers, a salute was fired which was terrifying to my
youthful nerves. Small boys, then as now, provided themselves with
pistols, and human life was occasionally sacrificed to patriotic ardor,
although I never remember hearing of cases of lockjaw resulting from
such accidents, as is so frequently the case at present. Firecrackers
and torpedoes were then in vogue, but skyrockets and more elaborate
fireworks had not then come into general use. I do not recall that the
national flag was especially prominent upon the "glorious fourth," and
it is my impression that this insignia of patriotism was not universally
displayed upon patriotic occasions until the Civil War.
The musical world of New York lay dormant until about the year 1825,
when Dominick Lynch, much to the delight of the cultivated classes,
introduced the Italian Opera. Through his instrumentality Madame
Malibran, her father, Signor Garcia, and her brother, Manuel Garcia, who
by the way died abroad in 1906, nearly ninety-nine years of age, came to
this country and remained for quite a period. I have heard many sad
traditions regarding Malibran, whose name is certainly immortal in the
annals of the musical world. Mr. Lynch was the social leader of his day
in New York, was æsthetic in his tastes, and possessed a highly
cultivated voice. He frequently sang the beautiful old ballads so much
in vogue at that period. I have heard through Mrs. Samuel L. Hinckley,
an old friend of mine, who remembered the incident, that during a visit
to Boston when he sang Tom Moore's pathetic ballad, "Oft in the Stilly
Night," there was scarcely a dry eye in the room. In referring to the
introduction of the Italian Opera into this country Dr. John W. Francis
in his "Old New York" thus speaks of Dominick Lynch: "For this
advantageous accession to the resources of mental gratification, we were
indebted to the taste and refinement of Dominick Lynch, the liberality
of the manager of the Park Theater, Stephen Price, and the distinguished
reputation of the Venetian, Lorenzo Da Ponte. Lynch, a native of New
York, was the acknowledged head of the fashionable and festive board, a
gentleman of the ton and a melodist of great powers and of exquisite
taste; he had long striven to enhance the character of our music; he was
the master of English song, but he felt, from his close cultivation of
music and his knowledge of the genius of his countrymen, that much was
wanting, and that more could be accomplished, and he sought out, while
in Europe, an Italian _troupe_, which his persuasive eloquence and the
liberal spirit of Price led to embark for our shores where they arrived
in November, 1825." Stephen Price here referred to by Dr. Francis was
the manager of the old Park Theater. Dominick Lynch's grandson, Nicholas
Luquer, who with his charming wife, formerly Miss Helen K. Shelton of
New York, resides in Washington, and his son, Lynch Luquer, inherit the
musical ability of their ancestor.
The great actors of the day performed in the Park Theater. I also
vividly remember the Bowery Theater, as well as in subsequent years
Burton's Theater in Chambers Street and the Astor Place Theater. When
William C. Macready, the great English actor, was performing in the
latter in 1849 a riot occurred caused by the jealousy existing between
him and his American rival, Edwin Forrest. Forrest had not been well
received in England owing, as he believed, to the unfriendly influence
of Macready. While the latter was considered by many the better actor,
Forrest was exceptionally popular with a certain class of people in New
York whose sympathies were easily enlisted and whose passions were
readily aroused. During the evening referred to, while Macready was
acting in the _rôle_ of Macbeth, a determined mob attacked the theater,
and the riot was not quelled until after a bitter struggle, in which the
police and the military were engaged, and during which twenty-one were
killed and thirty-three wounded.
In consequence of this unfortunate rivalry and its bloody results,
Forrest became morbid, and his domestic infelicities that followed
served to still further embitter his life. In 1850 his wife instituted
proceedings for divorce in the Superior Court of the City of New York,
and the trial was protracted for two years. She was represented by the
eminent jurist, Charles O'Conor, while Forrest employed "Prince" John
Van Buren, son of the ex-President. The legal struggle was one of the
most celebrated in the annals of the New York bar. There was abundant
evidence of moral delinquency on the part of both parties to the suit,
but the verdict was in favor of Mrs. Forrest. She was the daughter of
John Sinclair, formerly a drummer in the English army and subsequently a
professional singer. James Gordon Bennett said of her in the _Herald_
that "being born and schooled in turmoil and dissipation and reared in
constant excitement she could not live without it."
I have heard it said that one day John Van Buren was asked by a
disgruntled friend at the close of a hotly contested suit whether there
was any case so vile or disreputable that he would refuse to act as
counsel for the accused. The quick response was: "I must first know the
circumstances of the case; but what have you been doing?" Dr. Valentine
Mott, who for many years was a resident of Paris, gave a fancy-dress
ball in New York in honor of the Prince de Joinville, son of Louis
Philippe. At this entertainment John Van Buren appeared in the usual
evening dress with a red sash tied around his waist. Much to the
amusement of the guests whom he met, his salutation was: "Would you know
me?" It will be remembered that he was familiarly called "Prince John,"
owing to the fact that he had once danced with Queen Victoria prior to
her ascension to the throne. One day Van Buren met on the street James
T. Brady, a lawyer of equal ability and wit, who had recently returned
from a visit to England. In a most patronizing manner he inquired
whether he had seen the Queen. "Certainly," said Mr. Brady, "and under
these circumstances. I was walking along the street when by chance the
Queen's carriage overtook me, and the moment Her Majesty's eye lighted
upon me she exclaimed: 'Hello, Jim Brady, when did you hear from John
Van Buren?'" I recall another amusing anecdote about John Van Buren
during my school days. Mustaches were at that time worn chiefly by the
sporting element. Mr. Van Buren, who was very attentive to Catharine
Theodora Duer, a daughter of President William Alexander Duer of
Columbia College, and who, by the way, never married, adopted this style
of facial adornment, but the young woman objecting to it he cut it off
and sent it to her in a letter. Prince John Van Buren's daughter, Miss
Anna Vander Poel Van Buren, many years thereafter, married Edward
Alexander Duer, a nephew of this Catharine Theodora Duer.
It was my very great pleasure to know Fanny Kemble and her father,
Charles Kemble. She was, indeed, the queen of tragedy, and delighted the
histrionic world of New York by her remarkable rendering of the plays of
Shakespeare. In later years when I heard her give Shakespearian
readings, I regarded the occasion as an epoch in my life. In this
connection I venture to express my surprise that the classical English
quotations so pleasing to the ear in former days are now so seldom
heard. It seems unfortunate that the epigrammatic sentences, for
example, of grand old Dr. Samuel Johnson have become almost obsolete. In
former years Byron appealed to the sentiment, while the more ambitious
quoted Greek maxims. The sayings of the old authors were recalled,
mingled with the current topics of the day. It would seem, however, that
the present generation is decidedly more interested in quotations from
the stock exchange. Edmund Burke said that "the age of chivalry is
gone, that of sophists, economists, and calculators has succeeded."
Upon her return to England Fanny Kemble published her journal kept while
in the United States, which was by no means pleasing in every respect to
her American readers. It is said that in one of her literary effusions
she dwelt upon a custom, which she claimed was prevalent in America, of
parents naming their children after classical heroes, and gave as an
example a child in New York who bore the name of Alfonzo Alonzo
Agamemnon Dionysius Bogardus. The sister of this youth, she stated, was
named Clementina Seraphina Imogen. I think this statement must have been
evolved from her own brain, as it would be difficult to conceive of
parents who would consent to make their children notorious in such a
ridiculous manner. Fanny Kemble married Pierce Butler, a lawyer of
ability and cousin of the U.S. Senator from South Carolina of the same
name, and they were divorced in 1849, when the Hon. George M. Dallas was
counsel for Fanny Kemble and Rufus Choate appeared for her husband.
Fanny Elssler, a queen of grace and beauty on the stage, delighted
immense audiences at the Park Theater. She came to this country under
the auspices of Chevalier Henry Wikoff, a roving but accomplished
soldier of fortune, who pitched his camp in both continents. Upon her
arrival in New York the "divine Fanny," as she was invariably called,
was borne to her destination in a carriage from which the horses had
been detached by her enthusiastic _adorateurs_, led by August Belmont.
She was, indeed,
A being so fair that the same lips and eyes
She bore on earth might serve in Paradise.
At this distant day it seems almost impossible to describe her. She
seemed to float upon the stage sustained only by the surrounding
atmosphere. In my opinion she has never had a rival, with the possible
exception of Taglioni, the great Swedish _danseuse_. I saw Fanny Elssler
dance the _cracovienne_ and the _cachucha_, and it is a memory which
will linger with me always. The music that accompanied these dances was
generally selected from the popular airs of the day. Many dark stories
were afloat concerning Fanny Elssler's private life, but to me it seems
impossible to associate her angelic presence with anything but her
wonderful art. She was never received socially in New York; indeed, the
only person that I remember connected with the stage in my early days
who had the social _entrée_ was Fanny Kemble.
We attended the Dutch Reformed Church in New York of which the Rev. Dr.
Jacob Brodhead was for many years the pastor. My aunts, however,
attended one of the three collegiate churches in the lower part of the
city, and I sometimes accompanied them and, as there was a frequent
interchange of pulpits, I became quite accustomed to hear all of the
three clergymen. The Rev. Dr. John Knox, who endeared himself to his
flock by his gentle and appealing ministrations; the Rev. Dr. Thomas De
Witt, a profound theologian and courtly gentleman; and the Rev. Dr.
William C. Brownlee, with his vigorous Scotch accent, preaching against
what he invariably called "papery" (popery), and recalling, as he did,
John Knox of old, that irritating thorn in the side of the unfortunate
Mary Queen of Scots, made up this remarkable trio. During the latter
part of his life Dr. Brownlee suffered from a stroke of paralysis which
rendered him speechless, and his Catholic adversaries improved this
opportunity to circulate the report that he had been visited by a
judgment from Heaven.
There were many shining lights in the Episcopal Church at this time in
New York. The Rev. Dr. William Berrian was the acceptable rector of St.
John's, which was then as now a chapel of Trinity Parish. The Rev. Dr.
Francis L. Hawks was the popular rector of St. Thomas's church, on the
corner of Broadway and Houston Streets. He was a North Carolinian by
birth, but is said to have been in part of Indian descent. I recall with
pleasure his masterly rendition of the Episcopal service. During the
Civil War he made it quite apparent to his parishioners that his
sympathies were with the South, and as most of them did not share his
views he moved to Baltimore, where a more congenial atmosphere
surrounded him.
The Rev. Dr. Stephen H. Tyng, senior, was the rector of St. George's
Episcopal church in the lower part of the city. He was a theologian of
the Low-Church school and was greatly esteemed by all of his colleagues.
His son, the Rev. Dr. Stephen H. Tyng, junior, was in full sympathy with
the Low-Church views of his father, and will be recalled as an
evangelical preacher of exceptional power and wide influence. In the
summer of 1867 he preached, in defiance of the canons of the Episcopal
Church, in St. James's Methodist church in New Brunswick, N.J., thus
invading without authority the parishes of the Rev. Dr. Alfred Stubs and
the Rev. Dr. Edward B. Boggs of that city. His trial was of sensational
interest, and resulted, as will be remembered, in his conviction. The
attitude of the Tyngs, father and son, was humorously described by
Anthony Bleecker, a well-known wit of the day, in these verses:
_Tyng, Junior._
I preach from barrels and from tubs,
In spite of Boggs, in spite of Stubs;
I'll preach from stumps, I'll preach from logs,
In spite of Stubs, in spite of Boggs.
_Tyng, Senior._
Do, Steve; and lay aside your gown,
Your bands and surplice throw them down;
A bob-tail coat of tweed or kersey
Is good enough at least for Jersey.
_Tyng, Junior._
What if the Bishops interfere,
And I am made a culprit clear;
Can't you a thunderbolt then forge,
And hurl it in the new St. George?
_Tyng, Senior._
Be sure I can and out of spite
A wrathy sermon I'll indite;
I'll score the court and every judge
And call the whole proceedings fudge;
And worse than that each reverent name
I'll bellow through the trump of fame;
With Bishop Potter I'll get even,
And make you out the martyr Stephen.
The Rev. Dr. Orville Dewey, renowned for his intellectual attainments,
preached in the Unitarian church in Mercer Street. In subsequent years
his sermons were published and I understand are still read with much
interest and pleasure. Archbishop John Hughes, whom I knew quite well,
was the controlling power in the Roman Catholic Church. He possessed the
affectionate regard of the whole community, and naturally commanded a
wide influence. A Roman Catholic told me many years ago that, upon one
of the visits of the Archbishop to St. Peter's church, he took the
congregation to task for their exclusiveness, exclaiming: "You lock up
your pews and exclude the marrow of the land."
I knew very well the Rev. Charles Constantine Pise, the first
native-born Catholic to officiate in St. Joseph's church on Sixth
Avenue. He was of Italian parentage and was remarkable for his great
physical attractiveness. In addition to his fine appearance, he was
exceedingly social in his tastes and was consequently a highly agreeable
guest. He cultivated the muses to a modest degree, and I have several of
his poetical effusions, one of which was addressed to me. In spite of
the admiration he commanded from both men and women, irrespective of
creed, life seemed to present to him but few allurements. Archbishop
Hughes sent him to a small Long Island parish where, after laboring long
and earnestly, he closed his earthly career. An anecdote is related of
this pious man which I believe to be true. A young woman quite forgetful
of the proprieties and conventionalties of life, but with decided
matrimonial proclivities, made Father Pise an offer of her fortune,
heart and hand. In a dignified manner he advised her to give her heart
to God, her money to the poor, and her hand to the man who asked for it.
Prior to his rectorship of St. Joseph's church in New York, Father Pise,
who was an intimate friend of Henry Clay, served as Chaplain of the U.S.
Senate during a portion of the 22d Congress. At the National Capital as
well as in New York he was exceptionally popular, making many converts,
especially among young women, and preaching to congregations in churches
so densely crowded that it was difficult to obtain even standing room.
I cannot pass the Roman Catholic clergy without some reference to the
Rev. Felix Varela, a priest of Spanish descent and, it is said, of noble
birth, who was sent from Cuba to Spain as one of the deputies to the
Cortes from his native island. His church was St. Peter's in Barclay
Street. It would be difficult for any words to do justice to his life of
self-abnegation or to his adherence to the precepts of his Divine
Master. It is with pleasure, therefore, that I relate the following
story, for the truth of which I can vouch. A policeman found a handsome
pair of silver candlesticks in the custody of a poor unfortunate man,
and as they bore upon them a distinctive coat of arms he arrested him.
On his way to prison the suspected criminal begged to see Father Varela
for a moment, and as his residence was _en route_ to the station house
the officer granted his request. This good priest informed the policeman
with much reluctance that the candlesticks had formerly belonged to
him, and that he had given them to his prisoner to buy bread for his
family. My father was so deeply in sympathy with the life and character
of this priest that, although of a different faith, he seldom heard his
name mentioned without an expression of admiration for his life and
character.
There was a French Protestant church in Franklin Street ministered to by
the Rev. Dr. Antoine Verren, whose wife was a daughter of Thomas
Hammersley. I also remember very well a Presbyterian church on Laight
Street, opposite St. John's Park, the rector of which was the Rev. Dr.
Samuel H. Cox, an uncle of the late Bishop Arthur Cleveland Cox of the
Episcopal Church. Dr. Cox was a prominent abolitionist, and when we were
living on Hubert Street, just around the corner, this church was stoned
by a mob because the rector had expressed his anti-slavery views too
freely.
The mode of conducting funerals in former days in New York differed very
materially from the customs now in vogue. While the coffins of the
well-to-do were made entirely of mahogany and without handles, I have
always understood that persons of the Hebrew faith buried their dead in
pine coffins, as they believed this wood to be more durable.
Pall-bearers wore white linen scarfs three yards long with a rosette of
the same material fastened on one shoulder, which, together with a pair
of black gloves, was always presented by the family. It was originally
the intention that the linen scarf should be used after the funeral for
making a shirt. Funerals from churches were not as customary as at the
present time. If the body was to be interred within the city limits
every one attending the services, including the family, walked to the
cemetery. It was unusual for a woman to be seen at a funeral.
But the whole social tone of New York society was more _de rigueur_ than
now. Sometimes, for example, persons living under a cloud of
insufficient magnitude to place them behind prison bars, feeling their
disgrace, took flight for Texas. Instead of placing the conventional
_P.P.C._ on their cards the letters _G.T.T._ were used, meaning that the
self-expatriated ne'er-do-well had "gone to Texas." I have always
understood that in Great Britain the transgressor sought the Continent,
where he was often enabled to pass into oblivion. In this manner both
countries were relieved of patriots who "left their country for their
country's good." As an example, I remember hearing in my early life of
an Englishman named de Roos, who had the unfortunate habit of arranging
cards to suit his own fancy. When his _confrères_ finally caught him in
the act he left hurriedly for the Continent.
In 1842 the U.S. sloop of war _Somers_ arrived in New York, and the
country was startled by the accounts of what has since been known as the
"Somers Mutiny." The Captain of the ship was Commander Alexander Slidell
Mackenzie, whose original surname was Slidell. He was a brother of the
Hon. John Slidell, at one time U.S. Senator from Louisiana, who, during
the Civil War, while on his passage to England on the _Trent_ as a
representative of the Southern Confederacy in England, was captured by
Captain Charles Wilkes of the U.S. Navy. The result of the alleged
mutiny was the execution, by hanging at the yard arm, of Philip Spencer,
a son of the celebrated New York lawyer, John C. Spencer, President
Tyler's Secretary of War, and of two sailors, Samuel Cromwell and Elisha
Small. It was charged that they had conspired to capture the ship and
set adrift or murder her officers. Being far from any home port, and
uncertain of the extent to which the spirit of disaffection had
permeated the crew, Mackenzie consulted the officers of his ship as to
the proper course for him to pursue. In accordance with their advice,
and after only a preliminary examination of witnesses and no formal
trial with testimony for the defense, they were, as just stated,
summarily executed.
I speak from the point of view of the legal element of New York, as my
father's associates were nearly all professional men. The world was
aghast upon receiving the news that three men had been hurled into
eternity without judge or jury. Spencer was a lad of less than nineteen
and a midshipman. Although Captain Mackenzie's action was sustained by
the court of inquiry, which was convened in his case, as well as by the
_esprit de corps_ of the Navy, public feeling ran so high that a court
martial was ordered. His trial of two months' duration took place at the
Brooklyn Navy Yard, and resulted in a verdict of "not proven." The
judge-advocate of the court was Mr. William H. Norris of Baltimore, and
Mackenzie was defended by Mr. George Griffith and Mr. John Duer, the
latter of whom was the distinguished New York jurist and the uncle of
Captain Mackenzie's wife. At the request of the Hon. John C. Spencer,
Benjamin F. Butler and Charles O'Conor, leaders of the New York bar,
formally applied for permission to ask questions approved by the court
and to offer testimony, but the request was refused--"so that," as
Thomas H. Benton expressed it, "at the long _post mortem_ trial which
was given to the boy after his death, the father was not allowed to ask
one question in favor of his son." After a lapse of sixty-nine years,
judging from Mackenzie's report to the Navy Department, it almost seems
as if he possessed a touch of mediæval superstition. He speaks of
Spencer giving money and tobacco to the crew, of his being extremely
intimate with them, that he had a strange flashing of the eye, and
finally that he was in the habit of amusing the sailors by making music
with his jaws. Mackenzie in his official report stated that this lad
"had the faculty of throwing his jaw out of joint and by contact of the
bones playing with accuracy and elegance a variety of airs." James
Fenimore Cooper stated it as his opinion, "that such was the obliquity
of intellect shown by Mackenzie in the whole affair, that no analysis
of his motives can be made on any consistent principle of human action;"
and the distinguished statesman, Thomas H. Benton, whose critical and
lengthy review of the whole case would seem to carry conviction to
unprejudiced minds, declared that the three men "died innocent, as
history will tell and show."
The proceedings of the Mackenzie trial were eagerly read by an
interested public. As I remember the testimony given regarding Spencer's
last moments upon earth, Mackenzie announced to the youthful culprit
that he had but ten minutes to live. He fell at once upon his knees and
exclaimed that he was not fit to die, and the Captain replied that he
was aware of the fact, but could not help it. It is recorded that he
read his Bible and Prayer-Book, and that the Captain referred him to the
"penitent thief;" but when he pleaded that his fate would kill his
mother and injure his father, Mackenzie made the inconsiderate reply
that the best and only service he could render his father was to die.
I recall a conversation bearing upon the _Somers_ tragedy which I
overheard between my father and his early friend, Thomas Morris, when
their indignation was boundless. The latter's son, Lieutenant Charles W.
Morris, U.S.N., had made several cruises with the alleged mutineer
Cromwell. Meeting Mackenzie he stated this fact, saying at the same time
that he found him a well-disposed and capable seaman. Mackenzie quickly
responded that "he had a bad eye," and then Lieutenant Morris recalled
that the unfortunate man had a cast in one eye.
A few years after his court-martial Mackenzie fell dead from his horse.
One of the wardroom officers of the _Somers_ was Adrian Déslonde of
Louisiana, whose sister married the Hon. John Slidell, of whom I have
already spoken as Commander Mackenzie's brother.
I seldom hear the name of John Slidell without being reminded of a
witticism which I heard from my mother's lips, the author of which was
Louisa Fairlie, a daughter of Major James Fairlie, who, during the War
of the Revolution, served upon General Steuben's staff. She was, I have
understood, a great belle with a power of repartee which bordered upon
genius. During the youth of John Slidell he attended a dinner at a
prominent New York residence and sat at the table next to Miss Fairlie.
In a tactless manner he made a pointedly unpleasant remark bearing upon
the marriage of her sister Mary to the distinguished actor, Thomas
Apthorpe Cooper, a subject upon which the Fairlie family was somewhat
sensitive. Miss Fairlie regarded Mr. Slidell for only a moment, and then
retorted: "Sir, you have been _dipped_ not _moulded_ into society"--an
incident which, by the way, I heard repeated many years later at a
dinner in China. To appreciate this witticism, one may refer to the New
York directory of 1789, which describes John Slidell, the father of the
Slidell of whom we are speaking, as "soap boiler and chandler, 104
Broadway." Miss Fairlie's pun seems to me to be quite equal to that of
Rufus Choate, who, when a certain Baptist minister described himself as
"a candle of the Lord," remarked, "Then you are a dipped, but I hope not
a wick-ed candle." It is said that upon another occasion, after the
return of Mr. Slidell from a foreign trip, he was asked by Miss Fairlie
whether he had been to Greece. He replied in the negative and asked the
reason for her query. "Oh, nothing," she said, "only it would have been
very natural for you to visit Greece in order to renew early
associations!" Many years thereafter Priscilla Cooper, the wife of
Robert Tyler and the daughter-in-law of President John Tyler, a daughter
of Thomas Apthorpe Cooper and his wife, Mary Fairlie, presided at the
White House during the widowhood of her distinguished father-in-law.
As has already been stated, the father of the Hon. John Slidell was a
chandler, and he conducted his business with such success that in time
he became prominent in mercantile and financial circles, and eventually
was made president of the Mechanics Bank and the Tradesmen's Insurance
Company. His son John, who at first engaged in his father's soap and
tallow business as an apprentice, finally succeeded him, and the
enterprise was continued under the firm name of "John Slidell, Jr. and
Company." The house failed, however, and it is said that this fact,
together with the scandal attending his duel with Stephen Price, manager
of the Park Theater, in which the latter was wounded, were the
controlling factors that led the future Hon. John Slidell to remove his
residence to New Orleans. In this place he became highly celebrated as a
lawyer, and his successful political career is well known. He married
Miss Marie Mathilde Déslonde, a member of a well-known Creole family,
and many persons still living will recall her grace and _savoir faire_
in Washington when her husband represented Louisiana in the United
States Senate. Miss Jane Slidell, a sister of the Hon. John Slidell,
married Commodore Matthew C. Perry, U.S.N., who opened the doors of
Japan to the trade of the world, and whose daughter, Caroline Slidell
Perry, became the wife of the late August Belmont of New York, while
Julia, another of Mr. Slidell's sisters, married the late Rear Admiral
C. R. P. Rodgers, U.S.N.