CHAPTER XVII
The taxi went rocking up Fourth Avenue. But now that decision was made
and he was headed toward Maggie, a little of judgment reasserted itself.
It would not be safe for him to walk openly into the Grantham with a
mouthful of questions. He did not know the number of Maggie's suite. And
Maggie might not be in. So he revised his plan slightly. He called to
his driver:
“Go to the Claridge first.”
Five minutes later the taxi was in Forty-Fourth Street and Larry
was stepping out. Fortune favored him in one fact--or perhaps his
subconscious mind had based his plan upon this fact: the time was
half-past ten, the theaters still held their crowds, the streets were
empty, the restaurants were practically unoccupied. He was incurring the
minimum of risk.
“Wait for me,” he ordered the driver. “I'll be out in five minutes.”
In less than the half of the first of these minutes Larry had attained
his first objective: the secluded telephone-room down behind the grill.
It was unoccupied except for the telephone girl who was gazing raptly at
the sorrowful, romantic, and very soiled pages of “St. Elmo.” The next
moment she was gazing at something else--a five-dollar bill which Larry
had slipped into the open book.
“That's to pay for a telephone call; just keep the change,” he said
rapidly. “You're to do all the talking, and say just what I tell you.”
“I got you, general,” said the girl, emerging with alacrity from romance
to reality. “Shoot.”
“Call up the Hotel Grantham--say you're a florist with an order to
deliver some flowers direct to Miss Margaret Cameron--and ask for the
number of her suite--and keep the wire open.”
The girl obeyed promptly. In less than a minute she was reporting to
Larry:
“They say 1141-1142-1143.”
“Ask if she's in. If she is, get her on the 'phone, tell her long
distance is calling, but doesn't want to speak to her unless she is
alone. You get it?”
“Sure, brother. This ain't the first time I helped a party out.”
There was more jabbing with the switch-board plug, evident switching at
the other end, several questions, and then the girl asked: “Is this Miss
Margaret Cameron? Miss Cameron--” and so on as per Larry's instructions.
The operator turned to Larry: “She says she's alone.”
“Tell her to hold the wire till you get better connections--the storm
has messed up connections terribly--and keep your own wire open and make
her hold her end.”
As Larry went out he heard his instructions being executed while an
adept hand safely banked the bill inside her shirt-waist. Within two
minutes his taxi set him down at the Grantham; and knowing that whatever
risks he ran would be lessened by his acting swiftly and without any
suspicious hesitation, he walked straight in and to the elevators, in
the manner of one having business there, his collar again pulled up,
his cap pulled down, and his face just then covered with a handkerchief
which was caring for a sniffling nose in a highly natural manner.
With his heart pounding he got without mishap to the doors numbered
1141, 1142, and 1143. Instinctively he knew in a general way what the
apartment was like: a set of rooms of various character which the hotel
could rent singly or throw together and rent en suite. But which of the
three was the main entrance? He dared not hesitate, for the slightest
queer action might get the attention of the floor clerk down
the corridor. So Larry chose the happy medium and pressed the
mother-of-pearl button of 1142.
The door opened, and before Larry stood a large, elderly, imposing woman
in a rigidly formal evening gown--a gown which, by the way, had been
part of Miss Grierson's equipment for many a year for helping raw young
things master the art of being ladies. Larry surmised at once that this
was the “hired companion” his grandmother had spoken of. In other days
Larry had had experience with this type and before Miss Grierson could
bar him out or ask a question, Larry was in the room and the door closed
behind him--and he had entered with the easiest, most natural, most
polite manner imaginable.
“You were expecting me?” inquired Larry with his disarming and wholly
engaging smile.
Neither Miss Grierson's mind nor body was geared for rapid action. She
was taken aback, and yet not offended. So being at a loss, she resorted
to the chief item in her stock in trade, her ever dependable dignity.
“I cannot say that I was. In fact, sir, I do not know who you are.”
“Miss Cameron knows--and she is expecting me,” Larry returned
pleasantly. His quick eyes had noted that this was a sitting-room: an
ornate, patterned affair which the great hotels seem to order in hundred
lots. “Where is Miss Cameron?”
“In the next room,” nodding at the connecting door. “She is engaged.
Telephoning. A long-distance call. I'm quite sure she is not expecting
you,” Miss Grierson went on to explain ponderously and elaborately,
but with politeness, for this young man was handsome and pleasant and
well-bred and might prove to be some one of real importance. “We were
to have had a theater party with supper afterwards; but owing to Miss
Cameron's indisposition we did not go to the theater. But she insisted
on keeping the engagement for the supper, but changing it to here.
Besides herself and myself, there are to be only her uncle, her cousin,
and just one guest. That is why I am so certain, sir, she is not
expecting you.”
“But you see,” smiled Larry, “I am that one guest.”
Miss Grierson shook her carefully coiffured transformation. “I've met
the guest who is coming, and I certainly have not met you.”
“Then she must have asked two of us. Anyhow, I'll just speak to her, and
if I'm mistaken and de trop, I'll withdraw.” And ere Miss Grierson could
even stir up an intention to intervene further, this well-mannered
young man had smiled his disarming smile and bowed to her and had passed
through the door, closing it behind him.
He halted, the knob in his hand. Maggie was standing sidewise to him,
holding a telephone in her hand, its receiver at her ear. She must have
supposed that it was Miss Grierson who had so quietly entered, for she
did not look around.
“Yes, I'm still waiting,” she was saying impatiently. “Can't you ever
get that connection?”
Larry had seen Maggie only in the plain dark suit which she had worn to
her daily business of selling cigarettes at the Ritzmore; and once, on
the night of his return from Sing Sing, in that stage gypsy costume,
which though effective was cheap and impromptu and did not at all lift
her out of the environment of the Duchess's ancient and grimy house.
But Larry was so startled by this changed Maggie that for the moment
he could not have moved from the door even had he so desired. She was
accoutered in the smartest of filmy evening gowns, with the short skirt
which was then the mode, with high-heeled silver slippers, her rounded
arms and shoulders and bosom bare, her abundant black hair piled high in
careful carelessness. The gown was cerise in color, and from her forearm
hung a great fan of green plumes. In all the hotels and theaters of New
York one could hardly have come upon a figure that night more striking
in its finished and fresh young womanhood. Larry trembled all over; his
heart tried to throb madly up out of his throat.
At length he spoke. And all he was able to say was:
“Maggie.”
She whirled about, and telephone and receiver almost fell from her
hands. She went pale, and stared at him, her mouth agape, her dark eyes
wide.
“La-Larry!” she whispered.
“Maggie!” he said again.
“La-Larry! I thought you were in Chicago.”
“I'm here now, Maggie--especially to see you.” He did not know it, but
his voice was husky. He noted that she was still holding the telephone
and receiver. “It was I who put in that long-distance call. But I came
instead. So you might as well hang up.”
She obeyed, and set the instrument upon its little table.
“Larry--where have you been all this while?”
He was now conscious enough to note that there was tense concern in her
manner. He exulted at it, and crossed and took her hand.
“Right here in New York, Maggie.”
“In hiding?”
“In mighty good hiding.”
“But, Larry--don't you know it's dangerous for you to come out? And to
come here of all places?”
“I couldn't help myself. I simply had to see you, Maggie.”
He was still holding her hand, and there was an instinctive grip of her
fingers about his. For a moment--the moment during which her outer or
more conscious self was startled into forgetfulness--they gazed at each
other silently and steadily, eye into eye.
And then the things the Duchess had said crept back into his mind, and
he said:
“Maggie, I've come to take you out of all this. Get ready--let's leave
at once.”
That broke the spell. She jerked away from him, and instantly she was
the old Maggie: the Maggie who had jeered at him and defied him the
night of his return from prison when he had announced his new plan--the
Maggie who had flaunted him as “stool” and “squealer” the evening she
had left the Duchess's to enter upon this new career.
“No, you're not going to take me out of this!” she flung at him. “I
told you once before that I wasn't going your way! I told you that I was
going my own way! That held for then, and it holds for now, and it will
hold for always!”
The softer mood which had come upon him by surprise at sight of her and
filled him, now gave way to grim determination. “Yes, you are coming my
way--sometime, if not now! And now if I can make you!”
Their embattled gazes gripped each other. But now Larry was seeing more
than just Maggie. He was also taking in the room. It was close kin to
the room in which he had left Miss Grierson: ornate, undistinguished,
and very expensive. He noted one slight difference: a tiny hallway
giving on the corridor, its inner door now opened.
But the greatest difference was what he saw over Maggie's smooth white
shoulders: a table all set with china and glass and silver, and arranged
for five.
“Maggie, what's this game you're up to?” he demanded.
“It's none of your business!” she said fiercely, but in a low tone--for
both were instinctively remembering Miss Grierson in the adjoining room.
And then she added proudly: “But it's big! Bigger than anything you ever
dreamed of! And you can see I am putting it across so far--and I'll be
putting it across at the finish! Compare it to the cheap line you talked
about. Bah!”
“Listen, Maggie!” In his intensity he gripped her bare forearm. “This is
bad business, and if you had any sense you'd know it! Don't you think
I get the layout? Barney is your cousin, Old Jimmie is your uncle, that
dame in the next room and this suite and your swell clothes to help put
up a front! And your sickness that wouldn't let you go to the theater
is just a fake, so that, not wanting to disappoint them entirely, you'd
have an excuse for having supper here--and thus adroitly draw some
person into the trap of a more intimate relationship. It's a clever and
classy layout. Maggie, exactly what's your game?”
“I'll not tell you!”
“Who's that man that's coming here?”
“I'll not tell you!”
“Is he the sucker you're out to trim?”
“I'll not tell you!”
“You will tell me!” he cried dominantly. “And you're going to get out
of all this! You hear me? It may look good to you now. But I tell you it
has only one finish! And that's a rotten finish!”
She tore free from his punishing grip, and pantingly glared at him--her
former defiance now an egoistic fury.
“I won't have you interfering with my life!--you fake preacher!--you
stool, you squealer!” she flung at him madly. “Stool--squealer!” she
repeated. “I tell you I'm going my own way--and it's a big way--and I
tell you again nothing you can say or do can stop me! If I could have my
best wish, all I'd wish for would be something to keep you from always
interfering--something to get you out of my way!”
Panting, she paused. Her tense figure, with hands closing and unclosing,
expressed the very acme of furious defiance--of desire to annihilate--of
ultimate hatred. Larry was astounded by the very extent, the profundity,
of her passion. And so they stood, silent except for their quick
breathing, eyes fixed upon eyes, for several moments.
And then a key sounded in the outer door of the little hallway.
Instantly there was an almost unbelievable transformation in Maggie.
From an imperious, uncontrollable fury, she changed to a white,
quivering thing.
“Barney!” she whispered; and sprang to the inner door of the little
hallway, closed and locked it.
She turned on Larry a face that was ghastly in its pallor.
“Barney always carries a pistol,” she whispered.
They had heard the outer door close with a click of its automatic lock.
They now heard the knob of the inner door turn and tugged at; and then
heard Barney call: “What's the matter, Maggie? Let us in.”
Maggie made a supreme effort to reply in a controlled voice:
“Just a minute. I'm not quite ready.”
Then a second voice sounded from the other side of the door:
“Don't keep us too long, Maggie. Please!”
There was a distantly familiar quality to Larry in that second voice.
But he did not try to place it then: he was too poignantly concerned in
his own situation, and in the bewildering change in Maggie.
She slipped a hand through his arm. “Oh, La-Larry, why did you ever
take such a risk!” she breathed. Her whisper was piteous, aquiver with
fright. “Come this way!” and she quickly pulled him into the room where
he had met Miss Grierson and to the door by which he had entered.
Maggie opened this door. “They're all in the little hallway--I don't
think they'll see you,” her rapid, agitated whisper went on. “Don't
take the elevators in this corridor, they're in plain sight. There are
elevators just around the corner. Take them; they're safer. Good-bye,
Larry--and, oh, Larry, don't ever take such a risk again!”
With that she pushed him out and closed the door.
Larry followed her instructions about the elevator; he used the same
precautions in leaving that he had used in coming, and twenty minutes
later he was back in his room in the Sherwood apartment. For an hour or
more he sat motionless--thinking--thinking: asking himself questions,
but in his tumultuous state of mind and emotions not able to keep to a
question long enough to reason out its possible answer.
Just what was that game in which Maggie was involved?--a game which
required that Grantham setting, that eminently respectable companion,
and Maggie's accouterment as a young lady of obvious wealth.
Whose was that vaguely familiar second voice?--that voice which he still
could not place.
But what he thought about most of all was something very different. What
had caused that swift change in Maggie?--from a fury that was both
fire and granite, to that pallid, quivering, whispering girl who had so
rapidly led him safely out of his danger.
To and fro, back and forth, shuttled these questions. Toward two o'clock
he stood up, mind still absorbed, and mechanically started to undress.
He then observed the roll of paintings Hunt had given him. Better for
them if they were flattened out. Mechanically he removed string and
paper. There on top was the Italian mother he had asked for. A great
painting--a truly great painting. Mechanically he lifted this aside to
see what was the second painting Hunt had included. Larry gave a great
start and the Italian mother went flapping to the floor.
The second painting was of Maggie; the one on which Hunt had been
working the day Larry had come back: Maggie in her plain working
clothes, looking out at the world confidently, conqueringly; the
painting in which Hunt, his brain teeming with ideas, had tried to
express the Maggie that was, the many Maggies that were in her, and the
Maggie that was yet to be.