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chapter is read by one who is in the boat of Rā, he is towed like the

gods, he is like one of them, and he prescribes what is done to him in

the Netherworld.

When this chapter has been read to its end, this is the copy of the

order of offerings made when the Eye is full: four burning altars for

Rā, four for the Eye, and four for these gods; what there is on each of

them is: five good pointed white loaves; five pointed fruit cakes, five

baskets of pastry, one measure of incense, one of fruit and one of roast

meat.

NOTES.

The ancient papyri do not contain this chapter. The translation is made

from the Turin _Todtenbuch_, supplemented and corrected from hieratic

papyri in Paris. Its real meaning is difficult to understand. It seems

that under symbolical expressions it refers to an astronomical

phenomenon, the renewal of the sun after the winter solstice. According

to the principle which I have adopted, to maintain my predecessor’s

interpretations, I translated ⁂⁂⁂⁂⁂ “the Eye is full”

(_cf._ Notes on ch. 125, p. 214). But as it seems evident that here the

two eyes of the sun are the two periods of his apparent course, the

decrease and the growth, I should translate “the period is

accomplished,” this period being that of the decrease after which the

sun enters its ascending course, or according to Egyptian ideas begins

again to grow. It is natural that the completing of the period should be

hailed with joy by Rā, since it is the final victory over his enemies,

which sets him free and allows him to rise again as at the beginning.

The sign of his triumph is that he puts the ⁂⁂⁂⁂⁂ on his

head, as we see in the vignette.

1. Why this list of gods comes here, it is difficult to understand. It

seems quite out of place. Their number varies according to the papyri.

In some of them, they are put after the text in vertical columns. I

presume they are the divinities often alluded to as _these gods_. They

are the witnesses of the scene of Rā rising with the Eye on his head.

2. I have adopted the reading of the Paris papyrus, III, 58,

⁂⁂⁂⁂⁂.

The vignettes consist, in the Turin papyrus, of the deceased worshipping

a black Anubis lying down on a naos, and having on his back the sign

⁂. This god is the ⁂⁂ first mentioned. Behind him are the

⁂⁂⁂⁂, a human form with the Eye on its head, and Harmachis.

Several papyri have only the Eye and Harmachis.

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PLATE XLIV.

BOOK OF THE DEAD.

[Illustration: CHAPTERS CXLI AND CXLII. =Berlin Mus., 2.=]

[Illustration: