CHAPTER XI
CONTAINING SAMPLES BOTH OF EARTHLY AND HEAVENLY LOVE
Katherine stood in the central space of the great, state bedroom. It
was just upon midnight, yet she still wore her jewels and her handsome,
trailing, black, velvet dress. She was very tired. But that tiredness
proceeded less from physical than mental weariness. This she
recognised, and foresaw that weariness of this character was not likely
to find relief and extinction within the shelter of the curtains of the
stately bed, whereon the ancient Persian legend of the flight of the
Hart through the tangled Forest of This Life was so deftly and quaintly
embroidered. For, unhappily to-night, the leopard, Care, followed very
close behind. And Katherine, taking the ancient legend as very
literally descriptive of her existing state of mind feared that, should
she undress and seek the shelter of the rose-lined curtains the leopard
would seek it also, and, crouching at her feet, his evil yellow eyes
would gaze into her own, wide open, all through that which remained of
the night. The night, moreover, was very wild. A westerly gale, with
now and again tumultuous violence of rain, rattled the many panes of
the windows, wailed in every crevice of door and casement, roared
through the mile-long elm avenue below, and roared in the chimneys
above. The Prince of the Power of the Air was let loose, and announced
his presence as with the shout of battle. Sleep was out of the question
under present conditions and in her present humour. Therefore Lady
Calmady had dismissed Clara--now promoted to the dignified office of
lady's-maid--and that bright-eyed and devoted waiting-woman had
departed reluctant, almost in tears, protesting that:--"it was quite
too bad, for her ladyship was being regularly worn out with all the
talking and company. And she, for her part, should be heartily glad
when the entertaining was over and they were all comfortably to
themselves again."
Nor could Katherine honestly assert that she would be altogether sorry
when the hour struck, to-morrow, for the departure of her guests. For
it appeared to her that, notwithstanding the courtesy and affection of
her brother and the triumphant charm of her niece, a spirit of unrest
had entered Brockhurst along with their entry. Would that same spirit
depart along with their departing? She questioned it. She was oppressed
by a fear that that spirit of unrest had come to stay. And so it was
that as she walked the length and breadth of the lofty, white-paneled
room, for all the rage and fury of the storm without, she still heard
the soft padding of Care, the leopard, close behind.
Then a singular desolation and sense of homelessness came upon
Katherine. Turn where she would there seemed no comfort, no escape, no
sure promise of eventual rest. Things human and material were emptied
not of joy only, but of invitation to effort. For something had
happened from which there was no going back. A fair woman from a far
country had come and looked upon her son, with the inevitable result,
that youth had called to youth. And though the fair woman in question,
being already wedded wife,--Katherine was rather pathetically
pure-minded,--could not in any dangerously practical manner steal away
her son's heart, yet she would, only too probably, prepare that heart
and awaken in it desires of subsequent stealing away on the part of
some other fair woman, as yet unknown, whose heart Dickie would do his
utmost to steal in exchange. And this filled her with anxiety and
far-reaching fears, not only because it was bitter to have some woman
other than herself hold the chief place in her son's affections, but
because she--as John Knott, even as Ludovic Quayle, though from quite
other causes--could not but apprehend possibilities of danger, even of
disaster, surrounding all question of love and marriage in the strange
and unusual case of Richard Calmady.
And thinking of these things, her sensibilities heightened and
intensified by fatigue and circumstances of time and place, a certain
feverishness possessed her. That bedchamber of many memories--exquisite
and tragic--became intolerable to her. She opened the double doors and
passed into the Chapel-Room beyond, the light thrown by the tall wax
candles set in silver branches upon her toilet-table, passing with her
through the widely open doors and faintly illuminating the near end of
the great room. There was other subdued light in the room as well. For
a glowing mass of coal and wood still remained in the brass basket upon
the hearth, and the ruddy brightness of it touched the mouldings of the
ceiling, glowed on the polished corners and carvings of tables,
what-nots, and upon the mahogany frames of solid, Georgian sofas and
chairs.
At first sight, notwithstanding the roaring of wind and ripping of rain
without, there seemed offer of comfort in this calm and spacious place,
the atmosphere of it sweet with bowls of autumn violets and
greenhouse-grown roses. Katherine sat down in Richard's low armchair
and gazed into the crimson heart of the fire. She made a valiant effort
to put away haunting fears, to resume her accustomed attitude of
stoicism, of tranquil, if slightly defiant, courage. But Care, the
leopard, refused to be driven away. Surely, stealthily he had followed
her out of her bedchamber and now crouched at her side, making his
presence felt so that all illusion of comfort speedily fled. She knew
that she was alone, consciously and bitterly alone, waking in the midst
of the sleeping house. No footstep would echo up the stairs, hot to
find her. No voice would call her name, in anxiety for her well-being
or in desire. It seemed to Katherine that a desert lay outstretched
about her on every hand, while she sat desolate with Care for her sole
companion. She recognised that her existing isolation was, in a measure
at all events, the natural consequence of her own fortitude and
ability. She had ruled with so strong and discreet a hand that the
order she had established, the machinery she had set agoing, could now
keep going without her. Hence her loneliness. And that loneliness as
she sat by the dying fire, while the wind raved without, was dreadful
to her, peopled with phantoms she dared not look upon. For, not only
the accustomed burden of her motherhood was upon her, but that other
unaccustomed burden of admitted middle-age. And this other burden,
which it is appointed a woman shall bear while her heart often is still
all too sadly young, dragged her down. The conviction pressed home on
her that for her the splendid game was indeed over, and that, for very
pride's sake, she must voluntarily stand aside and submit to rank
herself with things grown obsolete, with fashions past and out of date.
Katherine rose to her feet, filled, for the moment, by an immense
compassion for her own womanhood, by an overmastering longing for
sympathy. She was so tired of the long struggle with sorrow, so tired
of her own attitude of sustained courage. And now, when surely a little
respite and repose might have been granted her, it seemed that a new
order of courage was demanded of her, a courage passive rather than
active, a courage of relinquishment and self-effacement. That was a
little too much. For all her valiant spirit, she shrank away. She grew
weak. She could not face it.
And so it happened that to-night--as once long ago, when poor Richard
suffered his hour of mental and physical torment at the skilful, yet
relentless hands of Dr. Knott, in the bedchamber near by--Katherine's
anguish and revolt found expression in restless pacings, and those
pacings brought her to the chapel door. It stood ajar. Before the altar
the three hanging lamps showed each its tongue of crimson flame. A
whiteness of flowers, set in golden vases upon the re-table, was just
distinguishable. But the delicately carved spires and canopies of
stalls, the fair pictured saints, and figure of the risen Christ--His
wounded feet shining like pearls upon the azure floor of heaven--in the
east window, were lost in soft, thick, all-pervading gloom. The place
was curiously still, as though waiting silently, in solemn and strained
expectation for the accomplishment of some mysterious visitation. And,
all the while without, the gale flung itself wailing against the angles
of the masonry, and the rain beat upon the glass of the high, narrow
windows as with a passion of despairing tears.
For some time Katherine waited in the doorway, a sombre figure in her
trailing, velvet dress. The hushed stillness of the chapel, the
confusion and clamour of the tempest, taken thus in connection, were
very telling. They exercised a strong influence over her already
somewhat exalted imagination. Could it be, she asked herself, that
these typified the rest of the religious, and the unrest of the secular
life? Julius March would interpret the contrast they afforded in some
such manner no doubt. And what if Julius, after all, were right? What
if, shutting God out of the heart, you also shut that heart out from
all peaceful dwelling-places, leaving it homeless, at the mercy of
every passing storm? Katherine was bruised in spirit. The longing for
some sure refuge, some abiding city was dominant in her. The needs of
her soul, so long ignored and repudiated, asserted themselves. Yes,
what if Julius were right, and if content and happiness--the only
happiness which has in it the grace of continuance--consisted in
submission to, and glad acquiescence in, the will of God?
Thus did she muse, gazing questioningly at the whiteness of the altar
flowers and those steady tongues of flame, hearing the silence, as of
reverent waiting, which dwelt in the place. But, on the other hand, to
give, in this her hour of weakness, that which she had refused in the
hours of clear-seeing strength;--to let go, because she was alone and
the unloveliness of age claimed her, that sense of bitter injury and
injustice which she had hugged to her breast when young and still aware
of her empire,--would not such action be contemptibly poor spirited?
She was no child to be humbled into confession by the rod, frightened
into submission by the dark. To abase herself, in the hope of receiving
spiritual consolation, appeared to her as an act of disloyalty to her
dead love and her maimed and crippled son. She turned away with a
rather superb lift of her beautiful head, and went back to her own
bedchamber again. She hardened herself in opposition, putting the
invitations of grace from her as she might have put those of
temptation. She would yield to weakness, to feverish agitations and
aimless longings, no more. Whether sleep elected to visit her or not,
she would undress and seek her bed.
But hardly had she closed the door and, standing before her
toilet-table, began to unclasp the pearls from her throat and bracelets
from her wrists, than a sound, quite other than agreeable or
reassuring, saluted her ears from close by. It proceeded from the room
next door, now unoccupied, since Richard, some five or six years ago,
jealous of the dignity of his youth, had petitioned to be permitted to
remove himself and his possessions to the suite of rooms immediately
below. This comprised the Gun-Room, a bed and dressing-room, and a
fourth room connecting with the offices, which came in handy for his
valet. Since his decline upon this more commodious apartment, the old
nursery had stood vacant. Katherine could not find it in her heart to
touch it. It was furnished now as in Dickie's childish days, when,
night and morning, she had visited it to make sure of her darling's
health and safety.
And it was in this shrine of tender recollections that disquieting
sounds now arose. Hard claws rattled upon the boarded spaces of the
floor. Some creature snored and panted against the bottom of the door,
pushed it with so heavy a weight that the panels creaked, flung itself
down uneasily, then moved to and fro again, with that harsh rattling of
claws. The image of Care, the leopard, as embroidered upon the curtains
of her bed, was so present to Katherine's imagination to-night that,
for a moment, she lost her hold on probability and common sense. It
appeared to her that the anxieties and perturbations which oppressed
her had taken on bodily form, and, in the shape of a devouring beast,
besieged her chamber door. The conception was grisly. Both mind and
body being rather overstrained, it filled her with something
approaching panic. No one was within call. To rouse her brother, or
Julius, she must make a tour of half the house. Again the creature
pushed against the creaking panels, and, then, panting and snoring,
began ripping away the matting from the door-sill.
The terror of the unknown is, after all, greater than that of the
known. It was improbable, though the hour was late and the night wild,
that savage beasts or cares incarnate should actually be in possession
of Dickie's disused nursery. Katherine braced herself and turned the
handle. Still the vision disclosed by the opening door was at first
sight monstrous enough. A moving mass of dirty white, low down against
the encircling darkness, bandy legs, and great grinning mouth. The
bull-dog stood up, whining, fawning upon her, thrusting his heavy head
into her hand.
"Why Camp, good old friend, what brings you here? Are you, too,
homeless to-night? But why have you deserted your master?"
And then Lady Calmady's panic fears took on another aspect. Far from
being allayed they were increased. An apprehension of something
actively evil abroad in the great, sleeping house assailed her. She
trembled from head to foot. And yet, even while she shrank and
trembled, her courage reawoke. For she perceived that as yet she need
not rank herself wholly among fashions passed and things grown
obsolete. She had her place and value still. She was wanted, she was
called for--that she knew--though by whom wanted and for what purpose
she, as yet, knew not.
The bull-dog, meanwhile, his heavy head carried low, his crooked tail
drooping, trotted slowly away into the darkness and then trotted back.
He squatted upon his haunches, looking up with anxious, bloodshot eyes.
He trotted away again, and again returned and stood waiting, his whole
aspect eloquent in its dumb appeal. He implored her to follow, and
Katherine, fetching one of the silver candlesticks from her
dressing-table, obeyed.
She followed her ugly, faithful guide across the vacant disused
nursery, and on down the uncarpeted turning staircase which opens into
the square lobby outside the Gun-Room. The diamond panes of the
staircase windows chattered in their leaded frames, and the wind
shrieked in the spouts, and angles, and carved stonework, of the inner
courtyard as she passed. The gale was at its height, loud and
insistent. Yet the many-toned violence of it seemed to bear strange and
intimate relation--as that of a great orchestra to a single dominant
human voice--to the subtle, evil influence which she felt to be at
large within the sleeping house. And so, without pausing to consider
the wisdom of her action, pushed by the conviction that something of
profound import was taking place, and that some one, or something, must
be saved by her from threatening danger, Katherine threw open the
Gun-Room door.
The shout of the storm seemed far away. This place was quick with
stillness too, with the hush of waiting for the accomplishment of some
mysterious event or visitation, even as the dark chapel up-stairs had
been. Only here moving effect of soft, brilliant light, of caressing
warmth, of vague, insidious fragrance met her. Katherine Calmady had
only known passion in its purest and most legitimate form. It had been
for her, innocent of all grossness, or suggestion of degradation, fair
and lovely and natural, revelation of highest and most enchanting
secrets. But having once known it in its fulness, she could not fail to
recognise its presence, even though it wore a diabolic, rather than
angelic face. That passion met her now, exultant, effulgent, along with
that light and heat and fragrance, she did not for an instant doubt.
And the splendour of its near neighbourhood turned her faint with dread
and with poignant memories. She paused upon the threshold, steadying
herself with one hand against the cold, stone jamb of the arched
doorway, while in the other she held the massive candlestick and its
flickering, draught-driven lights.
A mist was before her eyes, a singing in her ears, so that she had much
ado to see clearly and reckon justly with that which she did see. Helen
de Vallorbes, clothed in a flowing, yet clinging, silken garment of
turquoise, shot with blue purple and shimmering glaucous green--a
garment in colour such as that with which the waves of Adriatic might
have clothed the rosy limbs of new-born Aphrodite, as she rose from the
cool, translucent sea-deeps--knelt upon the tiger-skin before the
dancing fire. Her hands grasped the two arms of Richard's chair. She
leaned down right across it, the lines and curves of her beautiful body
discernible under her delicate draperies. The long, open sleeves of her
dress fell away from her outstretched arms, showing them in their
completeness from wrist to shoulder. Her head was thrown back, so that
her rounded throat stood out, and the pure line of her lower jaw was
salient. Her eyes were half closed, while all the mass of her
honey-coloured hair was gathered low down on the nape of her neck into
a net of golden thread. A golden, netted girdle was knotted loosely
about her loins, the tasseled ends of it dragging upon the floor. She
wore no jewels, nor were they needed, for the loveliness of her person,
discovered rather than concealed by those changeful sea-blue draperies,
was already dangerously potent.
All this Katherine saw--a radiant vision of youth, an incarnation, not
of care and haunting fears, but of pleasure and haunting delights. And
she saw more than this. For in the depths of that long, low armchair
Richard sat, stiffly erect, his face dead white, thin, and
strained--Richard, as she had never beheld him before, though she knew
the face well enough. It was his father's face as she had seen it on
her marriage night, and on his death night too, when his fingers had
been clasped about her throat to the point of strangulation. Katherine
dared look no longer. Her heart stood still. Shame and anger took her,
and along with these an immense nostalgia for that which had once been
and was not. Her instinct was of flight. But Camp trotted forward,
growling, and squatted between the pedestals of the library-table, his
red eyes blinking sullenly in the square shadow. Involuntarily
Katherine followed him part way across the room.
Richard looked full at his cousin, absorbed, rigid, an amazement of
question in his eyes. Not a muscle of his face moved. But Madame de
Vallorbes' absorption was less complete. She started slightly and half
turned her head.
"Ah! there is that dog again," she said. "What has brought him back? He
hates me."
"Damn the dog!" Richard exclaimed, hoarsely under his breath. Then he
said:--"Helen, Helen, you know----"
But Madame de Vallorbes had turned her head yet further, and her arched
eyelids opened quite wide for once, while she smiled a little, her lips
parting and revealing her pretty teeth tightly set.
"Ah! the advent of the bull-dog explains itself," she exclaimed. "Here
is Aunt Katherine herself!"
Slowly, and with an inimitable grace, she rose to her feet. Her long,
winged sleeves floated back into place, covering her bare arms. Her
composure was astonishing, even to herself. Yet her breath came a
trifle quick as she contemplated Lady Calmady with the same enigmatic
smile, her chin carried high--the finest suggestion of challenge and
insolence in it--her eyes still unusually wide open and startlingly
bright.
"Richard holds a little court to-night," she continued airily, "thanks
to the storm. You also have come to seek the protection of his presence
it appears, Aunt Katherine. Indeed, I am not surprised, for you
certainly brew very wild weather at Brockhurst, at times."
Something in the young lady's bearing had restored Katherine's
self-control.
"The wind is going down," she replied calmly. "The storm need not alarm
you, or keep you watching any longer, Helen."
"Ah! pardon me--you know you are accustomed to these tempests," the
younger woman rejoined. "To me it still sounds more than sufficiently
violent."
"Yes, but merely on this side of the house, where Richard's and my
rooms are situated. The wind has shifted, and I believe on your side
you will suffer no further disturbance. You will find it quite quiet.
Then, moreover, you have to rise early to-morrow--or rather to-day. You
have a long journey before you and should secure all the rest you can."
Madame de Vallorbes gathered her silken draperies about her absently.
For a moment she looked down at the tiger-skin, then back at Lady
Calmady.
"Ah yes!" she said, "it is thoughtful of you to remind me of that.
To-day I start on my homeward journey. It should give me very much
pleasure, should it not? But--do not be shocked, Aunt Katherine--I
confess I am not altogether enraptured at the prospect. I have been too
happy, too kindly treated, here at Brockhurst, for it to be other than
a sorrow to me to depart."
She turned to Richard, her expression serious, intimate, appealing.
Then she shook back her fair head, and as though in obedience to an
irresistible movement of tenderness, stooped down swiftly over
him--seeming to drown him in the shimmering waves of some azure, and
thin, clear green, and royal, blue-purple sea--while she kissed him
full and daringly upon the mouth.
"Good-night, good-bye, dear Dickie," she said. "Yes, good-bye--for I
almost hope I may not see you in the morning. It would be a little
chilly and inadequate, any other farewell after this. I am grateful to
you.--And remember, I too am among those who, to their sorrow, never
forget."
She approached Lady Calmady, her manner natural, unabashed, playful
even, and gay.
"See, I am ready to go to bed like a good child, Aunt Katherine," she
said, "supported by your assurance that my side of the house is no
longer rendered terrific by wind and rain. But--I am so distressed to
trouble you--but all the lamps are out, and I am none too sure of my
way. It would be a rather tragic ending to my happy visit if I
incontinently lost myself and wandered till dawn, disconsolate, up and
down the passages and stairways of Richard's magnificent house. I might
even wander in here by mistake again, and that would be unpardonably
indiscreet, wouldn't it? So, will you light me to my own quarters, Aunt
Katherine? Thank you--how charmingly kind and sweet you are!"
As she spoke Madame de Vallorbes moved lightly away and passed on to
the lobby, the heels of her pretty, cloth-of-gold slippers ringing
quite sharply on the gray, stone quarries without. And, even as a
little while back she had followed the heavy-headed and ungainly
bull-dog, so now Lady Calmady, in her trailing, black, velvet dress,
silver candlestick in hand, followed this radiant, fleet-footed
creature, whose every movement was eloquent of youth and health and an
almost prodigal joy of living. Neither woman spoke as they crossed the
lobby, and passed the pierced and arcaded stone screen which divides
the outer from the inner hall. Now and again the flickering
candle-light glinted on the younger woman's girdle or the net which
controlled the soft masses of her honey-coloured hair. Now and again a
draught taking the folds of her silken raiment blew it hither and
thither, disclosing her beautiful arms or quick-moving slippered feet.
She was clothed with splendour of the sea, crowned, and shod, and girt
about the loins, with gold. And she fled on silently, till the wide,
shallow-stepped stairway, leading up to the rooms she occupied, was
reached. There, for a moment, she paused.
"Pray come no further," she said, and went on rapidly up the flight. On
the landing she stopped, a dimly discerned figure, blue and gold
against the dim whiteness of high paneled walls, moulded ceiling,
stairway, and long descending balustrade.
"I have arrived!" she cried, and her clear voice took strange
inflections of mockery and laughter. "I have arrived! I am perfectly
secure now and safe. Let us hope all other inmates of Brockhurst are
equally so this stormy night. A thousand thanks, dear Aunt Katherine,
for your guidance, and a thousand apologies for bringing you so far.
Now let me trouble you no longer."
The Gun-Room Katherine found just as she had left it, save that Camp
stood on the tiger-skin before the fire, his fore-paws and his great,
grinning muzzle resting on the arm of Richard's chair. Camp whined a
little. Mechanically the young man raised his hand and pulled the dog's
long, drooping ears. His face was still dead white, and there were
lines under his eyes and about the corners of his mouth, as of one who
tries to subdue expression of physical pain. He looked straight at Lady
Calmady.
"Ah!" he said, "so you have come back! You observe I have changed
partners!"
And again he pulled the dog's ears, while it appeared to his listener
that his voice curiously echoed that other voice which had so lately
addressed and dismissed her, taking on inflections of mockery. But as
she nerved herself to answer, he continued, hastily:--
"I want nothing, dear mother, nothing in the world. Pray don't concern
yourself any more about me to-night. Haven't I Camp for company? Lamps?
Oh! I can put them out perfectly well myself. You were right, of
course, perfectly right, to come if you were anxious about me. But now
surely you are satisfied?"
Suddenly Richard bowed his head, putting both hands over his eyes.
"Only now, mother, if you love me, go," he said, with a great sob in
his voice. "For God's sake go, and leave me to myself."
But after sleepless hours, in the melancholy, blear dawn of the
November day, Katherine lying, face downwards, within the shelter of
the embroidered curtains of the state bed, made her submission at last
and prayed.
"I am helpless, oh, Father Almighty! I have neither wit nor
understanding, nor strength. Have mercy, lest my reason depart from me.
I have sinned, for years I have sinned, setting my will, my judgment,
my righteousness against Thine. Take me, forgive me, teach me. I bring
nothing. I ask everything. I am empty. Fill me with Thyself, even as
with water one fills an empty cup. Give me the courage of patience
instead of the courage of battle. Give me the courage of meekness in
place of the courage of pride."