CHAPTER XXII
URSULA’S STORY
For a moment or two the girl looked mutely at Poirot. Then, her reserve
breaking down completely, she nodded her head once, and burst into an
outburst of sobs.
Caroline pushed past me, and putting her arm round the girl, patted her
on the shoulder.
“There, there, my dear,” she said soothingly, “it will be all right.
You’ll see—everything will be all right.”
Buried under curiosity and scandal-mongering there is a lot of kindness
in Caroline. For the moment, even the interest of Poirot’s revelation
was lost in the sight of the girl’s distress.
Presently Ursula sat up and wiped her eyes.
“This is very weak and silly of me,” she said.
“No, no, my child,” said Poirot kindly. “We can all realize the strain
of this last week.”
“It must have been a terrible ordeal,” I said.
“And then to find that you knew,” continued Ursula. “How did you know?
Was it Ralph who told you?”
Poirot shook his head.
“You know what brought me to you to-night,” went on the girl. “_This_——”
She held out a crumpled piece of newspaper, and I recognized the
paragraph that Poirot had had inserted.
“It says that Ralph has been arrested. So everything is useless. I need
not pretend any longer.”
“Newspaper paragraphs are not always true, mademoiselle,” murmured
Poirot, having the grace to look ashamed of himself. “All the same, I
think you will do well to make a clean breast of things. The truth is
what we need now.”
The girl hesitated, looking at him doubtfully.
“You do not trust me,” said Poirot gently. “Yet all the same you came
here to find me, did you not? Why was that?”
“Because I don’t believe that Ralph did it,” said the girl in a very
low voice. “And I think that you are clever, and will find out the
truth. And also——”
“Yes?”
“I think you are kind.”
Poirot nodded his head several times.
“It is very good that—yes, it is very good. Listen, I do in verity
believe that this husband of yours is innocent—but the affair marches
badly. If I am to save him, I must know all there is to know—even if it
should seem to make the case against him blacker than before.”
“How well you understand,” said Ursula.
“So you will tell me the whole story, will you not? From the beginning.”
“You’re not going to send _me_ away, I hope,” said Caroline, settling
herself comfortably in an arm-chair. “What I want to know,” she
continued, “is why this child was masquerading as a parlormaid?”
“Masquerading?” I queried.
“That’s what I said. Why did you do it, child? For a wager?”
“For a living,” said Ursula dryly.
And encouraged, she began the story which I reproduce here in my own
words.
Ursula Bourne, it seemed, was one of a family of seven—impoverished
Irish gentlefolk. On the death of her father, most of the girls were
cast out into the world to earn their own living. Ursula’s eldest
sister was married to Captain Folliott. It was she whom I had seen
that Sunday, and the cause of her embarrassment was clear enough now.
Determined to earn her living and not attracted to the idea of being a
nursery governess—the one profession open to an untrained girl, Ursula
preferred the job of parlormaid. She scorned to label herself a “lady
parlormaid.” She would be the real thing, her reference being supplied
by her sister. At Fernly, despite an aloofness which, as has been seen,
caused some comment, she was a success at her job—quick, competent, and
thorough.
“I enjoyed the work,” she explained. “And I had plenty of time to
myself.”
And then came her meeting with Ralph Paton, and the love affair which
culminated in a secret marriage. Ralph had persuaded her into that,
somewhat against her will. He had declared that his stepfather would
not hear of his marrying a penniless girl. Better to be married
secretly, and break the news to him at some later and more favorable
minute.
And so the deed was done, and Ursula Bourne became Ursula Paton.
Ralph had declared that he meant to pay off his debts, find a job, and
then, when he was in a position to support her, and independent of his
adopted father, they would break the news to him.
But to people like Ralph Paton, turning over a new leaf is easier in
theory than in practice. He hoped that his stepfather, whilst still
in ignorance of the marriage, might be persuaded to pay his debts and
put him on his feet again. But the revelation of the amount of Ralph’s
liabilities merely enraged Roger Ackroyd, and he refused to do anything
at all. Some months passed, and then Ralph was bidden once more to
Fernly. Roger Ackroyd did not beat about the bush. It was the desire of
his heart that Ralph should marry Flora, and he put the matter plainly
before the young man.
And here it was that the innate weakness of Ralph Paton showed itself.
As always, he grasped at the easy, the immediate solution. As far
as I could make out, neither Flora nor Ralph made any pretence of
love. It was, on both sides, a business arrangement. Roger Ackroyd
dictated his wishes—they agreed to them. Flora accepted a chance of
liberty, money, and an enlarged horizon, Ralph, of course, was playing
a different game. But he was in a very awkward hole financially. He
seized at the chance. His debts would be paid. He could start again
with a clean sheet. His was not a nature to envisage the future, but
I gather that he saw vaguely the engagement with Flora being broken
off after a decent interval had elapsed. Both Flora and he stipulated
that it should be kept a secret for the present. He was anxious to
conceal it from Ursula. He felt instinctively that her nature, strong
and resolute, with an inherent distaste for duplicity, was not one to
welcome such a course.
Then came the crucial moment when Roger Ackroyd, always high-handed,
decided to announce the engagement. He said no word of his intention
to Ralph—only to Flora, and Flora, apathetic, raised no objection. On
Ursula, the news fell like a bombshell. Summoned by her, Ralph came
hurriedly down from town. They met in the wood, where part of their
conversation was overheard by my sister. Ralph implored her to keep
silent for a little while longer, Ursula was equally determined to have
done with concealments. She would tell Mr. Ackroyd the truth without
any further delay. Husband and wife parted acrimoniously.
Ursula, steadfast in her purpose, sought an interview with Roger
Ackroyd that very afternoon, and revealed the truth to him. Their
interview was a stormy one—it might have been even more stormy had not
Roger Ackroyd been already obsessed with his own troubles. It was bad
enough, however. Ackroyd was not the kind of man to forgive the deceit
that had been practiced upon him. His rancor was mainly directed to
Ralph, but Ursula came in for her share, since he regarded her as a
girl who had deliberately tried to “entrap” the adopted son of a very
wealthy man. Unforgivable things were said on both sides.
That same evening Ursula met Ralph by appointment in the small
summer-house, stealing out from the house by the side door in order to
do so. Their interview was made up of reproaches on both sides. Ralph
charged Ursula with having irretrievably ruined his prospects by her
ill-timed revelation. Ursula reproached Ralph with his duplicity.
They parted at last. A little over half an hour later came the
discovery of Roger Ackroyd’s body. Since that night Ursula had neither
seen nor heard from Ralph.
As the story unfolded itself, I realized more and more what a damning
series of facts it was. Alive, Ackroyd could hardly have failed to
alter his will—I knew him well enough to realize that to do so would
be his first thought. His death came in the nick of time for Ralph and
Ursula Paton. Small wonder the girl had held her tongue, and played her
part so consistently.
My meditations were interrupted. It was Poirot’s voice speaking, and I
knew from the gravity of his tone that he, too, was fully alive to the
implications of the position.
“Mademoiselle, I must ask you one question, and you must answer it
truthfully, for on it everything may hang: What time was it when you
parted from Captain Ralph Paton in the summer-house? Now, take a little
minute so that your answer may be very exact.”
The girl gave a half laugh, bitter enough in all conscience.
“Do you think I haven’t gone over that again and again in my own mind?
It was just half-past nine when I went out to meet him. Major Blunt
was walking up and down the terrace, so I had to go round through the
bushes to avoid him. It must have been about twenty-seven minutes to
ten when I reached the summer-house. Ralph was waiting for me. I was
with him ten minutes—not longer, for it was just a quarter to ten when
I got back to the house.”
I saw now the insistence of her question the other day. If only Ackroyd
could have been proved to have been killed before a quarter to ten, and
not after.
I saw the reflection of that thought in Poirot’s next question.
“Who left the summer-house first?”
“I did.”
“Leaving Ralph Paton in the summer-house?”
“Yes—but you don’t think——”
“Mademoiselle, it is of no importance what I think. What did you do
when you got back to the house?”
“I went up to my room.”
“And stayed there until when?”
“Until about ten o’clock.”
“Is there any one who can prove that?”
“Prove? That I was in my room, you mean? Oh! no. But surely—oh! I see,
they might think—they might think——”
I saw the dawning horror in her eyes.
Poirot finished the sentence for her.
“That it was _you_ who entered by the window and stabbed Mr. Ackroyd as
he sat in his chair? Yes, they might think just that.”
“Nobody but a fool would think any such thing,” said Caroline
indignantly.
She patted Ursula on the shoulder.
The girl had her face hidden in her hands.
“Horrible,” she was murmuring. “Horrible.”
Caroline gave her a friendly shake.
“Don’t worry, my dear,” she said. “M. Poirot doesn’t think that really.
As for that husband of yours, I don’t think much of him, and I tell you
so candidly. Running away and leaving you to face the music.”
But Ursula shook her head energetically.
“Oh, no,” she cried. “It wasn’t like that at all. Ralph would not run
away on his own account. I see now. If he heard of his stepfather’s
murder, he might think himself that I had done it.”
“He wouldn’t think any such thing,” said Caroline.
“I was so cruel to him that night—so hard and bitter. I wouldn’t listen
to what he was trying to say—wouldn’t believe that he really cared.
I just stood there telling him what I thought of him, and saying the
coldest, cruelest things that came into my mind—trying my best to hurt
him.”
“Do him no harm,” said Caroline. “Never worry about what you say to a
man. They’re so conceited that they never believe you mean it if it’s
unflattering.”
Ursula went on, nervously twisting and untwisting her hands.
“When the murder was discovered and he didn’t come forward, I was
terribly upset. Just for a moment I wondered—but then I knew he
couldn’t—he couldn’t.... But I wished he would come forward and say
openly that he’d had nothing to do with it. I knew that he was very
fond of Dr. Sheppard, and I fancied that perhaps Dr. Sheppard might
know where he was hiding.”
She turned to me.
“That’s why I said what I did to you that day. I thought, if you knew
where he was, you might pass on the message to him.”
“I?” I exclaimed.
“Why should James know where he was?” demanded Caroline sharply.
“It was very unlikely, I know,” admitted Ursula, “but Ralph had often
spoken of Dr. Sheppard, and I knew that he would be likely to consider
him as his best friend in King’s Abbot.”
“My dear child,” I said, “I have not the least idea where Ralph Paton
is at the present moment.”
“That is true enough,” said Poirot.
“But——” Ursula held out the newspaper cutting in a puzzled fashion.
“Ah! that,” said Poirot, slightly embarrassed; “a _bagatelle_,
mademoiselle. A _rien du tout_. Not for a moment do I believe that
Ralph Paton has been arrested.”
“But then——” began the girl slowly.
Poirot went on quickly:—
“There is one thing I should like to know—did Captain Paton wear shoes
or boots that night?”
Ursula shook her head.
“I can’t remember.”
“A pity! But how should you? Now, madame,” he smiled at her, his head
on one side, his forefinger wagging eloquently, “no questions. And
do not torment yourself. Be of good courage, and place your faith in
Hercule Poirot.”