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Chapter XVIII

Rouletabille Has Drawn a Circle between the Two Bumps on His Forehead

(Extract from the Note-Book of Joseph Rouletabille, continued)

“We separated on the thresholds of our rooms, with a melancholy shake

of the hands. I was glad to have aroused in him a suspicion of error.

His was an original brain, very intelligent but—without method. I did

not go to bed. I awaited the coming of daylight and then went down to

the front of the château, and made a detour, examining every trace of

footsteps coming towards it or going from it. These, however, were so

mixed and confusing that I could make nothing of them. Here I may make

a remark,—I am not accustomed to attach an exaggerated importance to

exterior signs left in the track of a crime.

“The method which traces the criminal by means of the tracks of his

footsteps is altogether primitive. So many footprints are identical.

However, in the disturbed state of my mind, I did go into the deserted

court and did look at all the footprints I could find there, seeking

for some indication, as a basis for reasoning.

“If I could but find a right starting-point! In despair I seated myself

on a stone. For over an hour I busied myself with the common, ordinary

work of a policeman. Like the least intelligent of detectives I went on

blindly over the traces of footprints which told me just no more than

they could.

“I came to the conclusion that I was a fool, lower in the scale of

intelligence than even the police of the modern romancer. Novelists

build mountains of stupidity out of a footprint on the sand, or from

an impression of a hand on the wall. That’s the way innocent men are

brought to prison. It might convince an examining magistrate or the

head of a detective department, but it’s not _proof_. You writers

forget that what the senses furnish is not proof. If I am taking

cognisance of what is offered me by my senses I do so but to bring the

results within the circle of my reason. That circle may be the most

circumscribed, but if it is, it has this advantage—it holds nothing but

_the truth_! Yes, I swear that I have never used the evidence of the

senses but as servants to my reason. I have never permitted them to

become my master. They have not made of me that monstrous thing,—worse

than a blind man,—a man who sees falsely. And that is why I can triumph

over your error and your merely animal intelligence, Frédéric Larsan.

“Be of good courage, then, friend Rouletabille; it is _impossible_ that

the incident of the inexplicable gallery should be outside the circle

of your reason. You know that! Then have faith and take thought with

yourself and forget not that you took hold of the right end when you

drew that circle in your brain within which to unravel this mysterious

play of circumstance.

“To it, once again! Go back to the gallery. Take your stand on your

reason and rest there as Frédéric Larsan rests on his cane. You will

then soon prove that the great Fred is nothing but a fool.—30th

October. Noon.

“Joseph Rouletabille.”

* * * * *

“I acted as I planned. With head on fire, I retraced my way to the

gallery, and without having found anything more than I had seen on the

previous night, the right hold I had taken of my reason drew me to

something so important that I was obliged to cling to it to save myself

from falling.

“Now for the strength and patience to find _sensible_ traces to fit in

with my thinking—and these must come within the circle I have drawn

between the two bumps on my forehead!—30th of October. Midnight.

“Joseph Rouletabille.”