← Table of ContentsThe Mystery of the Yellow Room

Chapter II

In Which Joseph Rouletabille Appears for the First Time

I remember as well as if it had occurred yesterday, the entry of young

Rouletabille into my bedroom that morning. It was about eight o’clock

and I was still in bed reading the article in the “Matin” relative to

the Glandier crime.

But, before going further, it is time that I present my friend to the

reader.

I first knew Joseph Rouletabille when he was a young reporter. At that

time I was a beginner at the Bar and often met him in the corridors of

examining magistrates, when I had gone to get a “permit to communicate”

for the prison of Mazas, or for Saint-Lazare. He had, as they say, “a

good nut.” He seemed to have taken his head—round as a bullet—out of

a box of marbles, and it is from that, I think, that his comrades of

the press—all determined billiard-players—had given him that nickname,

which was to stick to him and be made illustrious by him. He was always

as red as a tomato, now gay as a lark, now grave as a judge. How, while

still so young—he was only sixteen and a half years old when I saw him

for the first time—had he already won his way on the press? That was

what everybody who came into contact with him might have asked, if they

had not known his history. At the time of the affair of the woman cut

in pieces in the Rue Oberskampf—another forgotten story—he had taken to

one of the editors of the “Epoque,”—a paper then rivalling the “Matin”

for information,—the left foot, which was missing from the basket in

which the gruesome remains were discovered. For this left foot the

police had been vainly searching for a week, and young Rouletabille

had found it in a drain where nobody had thought of looking for it.

To do that he had dressed himself as an extra sewer-man, one of a

number engaged by the administration of the city of Paris, owing to an

overflow of the Seine.

When the editor-in-chief was in possession of the precious foot and

informed as to the train of intelligent deductions the boy had been

led to make, he was divided between the admiration he felt for such

detective cunning in a brain of a lad of sixteen years, and delight at

being able to exhibit, in the “morgue window” of his paper, the left

foot of the Rue Oberkampf.

“This foot,” he cried, “will make a great headline.”

Then, when he had confided the gruesome packet to the medical lawyer

attached to the journal, he asked the lad, who was shortly to become

famous as Rouletabille, what he would expect to earn as a general

reporter on the “Epoque”?

“Two hundred francs a month,” the youngster replied modestly, hardly

able to breathe from surprise at the proposal.

“You shall have two hundred and fifty,” said the editor-in-chief; “only

you must tell everybody that you have been engaged on the paper for a

month. Let it be quite understood that it was not you but the ‘Epoque’

that discovered the left foot of the Rue Oberkampf. Here, my young

friend, the man is nothing, the paper everything.”

Having said this, he begged the new reporter to retire, but before the

youth had reached the door he called him back to ask his name. The

other replied:—

“Joseph Josephine.”

“That’s not a name,” said the editor-in-chief, “but since you will not

be required to sign what you write it is of no consequence.”

The boy-faced reporter speedily made himself many friends, for he was

serviceable and gifted with a good humour that enchanted the most

severe-tempered and disarmed the most zealous of his companions. At

the Bar café, where the reporters assembled before going to any of

the courts, or to the Prefecture, in search of their news of crime,

he began to win a reputation as an unraveller of intricate and

obscure affairs which found its way to the office of the Chief of the

Sûreté. When a case was worth the trouble and Rouletabille—he had

already been given his nickname—had been started on the scent by his

editor-in-chief, he often got the better of the most famous detective.

It was at the Bar café that I became intimately acquainted with him.

Criminal lawyers and journalists are not enemies, the former need

advertisement, the latter information. We chatted together, and I soon

warmed towards him. His intelligence was so keen, and so original!—and

he had a quality of thought such as I have never found in any other

person.

Some time after this I was put in charge of the law news of the “Cri du

Boulevard.” My entry into journalism could not but strengthen the ties

which united me to Rouletabille. After a while, my new friend being

allowed to carry out an idea of a judicial correspondence column, which

he was allowed to sign “Business,” in the “Epoque,” I was often able to

furnish him with the legal information of which he stood in need.

Nearly two years passed in this way, and the better I knew him, the

more I learned to love him; for, in spite of his careless extravagance,

I had discovered in him what was, considering his age, an extraordinary

seriousness of mind. Accustomed as I was to seeing him gay and, indeed,

often too gay, I would many times find him plunged in the deepest

melancholy. I tried then to question him as to the cause of this change

of humour, but each time he laughed and made me no answer. One day,

having questioned him about his parents, of whom he never spoke, he

left me, pretending not to have heard what I said.

While things were in this state between us, the famous case of “The

Yellow Room” took place. It was this case which was to rank him as the

leading newspaper reporter, and to obtain for him the reputation of

being the greatest detective in the world. It should not surprise us to

find in the one man the perfection of two such lines of activity if we

remember that the daily press was already beginning to transform itself

and to become what it is to-day—the gazette of crime.

Morose-minded people may complain of this; for myself I regard it a

matter for congratulation. We can never have too many arms, public or

private, against the criminal. To this some people may answer that,

by continually publishing the details of crimes, the press ends by

encouraging their commission. But then, with some people we can never

do right.

Rouletabille, as I have said, entered my room that morning of the 26th

of October, 1892. He was looking redder than usual, and his eyes were

bulging out of his head, as the phrase is, and altogether he appeared

to be in a state of extreme excitement. He waved the “Matin” with a

trembling hand, and cried:—

“Well, my dear Sainclair,—have you read it?”

“The Glandier crime?”

“Yes; ‘The Yellow Room’!—What do you think of it?”

“I think that it must have been the Devil or the Bête du Bon Dieu that

committed the crime.”

“Be serious!”

“Well, I don’t much believe in murderers who make their escape through

walls of solid brick. I think Daddy Jacques did wrong to leave behind

him the weapon with which the crime was committed and, as he occupied

the attic immediately above Mademoiselle Stangerson’s room, the

builder’s job ordered by the examining magistrate will give us the key

of the enigma and it will not be long before we learn by what natural

trap, or by what secret door, the old fellow was able to slip in and

out, and return immediately to the laboratory to Monsieur Stangerson,

without his absence being noticed. That, of course, is only an

hypothesis.”

Rouletabille sat down in an armchair, lit his pipe, which he was never

without, smoked for a few minutes in silence—no doubt to calm the

excitement which, visibly, dominated him—and then replied:—

“Young man,” he said, in a tone the sad irony of which I will not

attempt to render, “young man, you are a lawyer and I doubt not

your ability to save the guilty from conviction; but if you were a

magistrate on the bench, how easy it would be for you to condemn

innocent persons!—You are really gifted, young man!”

He continued to smoke energetically, and then went on:—

“No trap will be found, and the mystery of ‘The Yellow Room’ will

become more and more mysterious. That’s why it interests me. The

examining magistrate is right; nothing stranger than this crime has

ever been known.”

“Have you any idea of the way by which the murderer escaped?” I asked.

“None,” replied Rouletabille—“none, for the present. But I have an idea

as to the revolver; the murderer did not use it.”

“Good Heavens! By whom, then, was it used?”

“Why—by Mademoiselle Stangerson.”

“I don’t understand,—or rather, I have never understood,” I said.

Rouletabille shrugged his shoulders.

“Is there nothing in this article in the ‘Matin’ by which you were

particularly struck?”

“Nothing,—I have found the whole of the story it tells equally strange.”

“Well, but—the locked door—with the key on the inside?”

“That’s the only perfectly natural thing in the whole article.”

“Really!—And the bolt?”

“The bolt?”

“Yes, the bolt—also inside the room—a still further protection against

entry? Mademoiselle Stangerson took quite extraordinary precautions!

It is clear to me that she feared someone. That was why she took such

precautions—even Daddy Jacques’s revolver—without telling him of it. No

doubt she didn’t wish to alarm anybody, and least of all, her father.

What she dreaded took place, and she defended herself. There was a

struggle, and she used the revolver skilfully enough to wound the

assassin in the hand—which explains the impression on the wall and on

the door of the large, blood-stained hand of the man who was searching

for a means of exit from the chamber. But she didn’t fire soon enough

to avoid the terrible blow on the right temple.”

“Then the wound on the temple was not done with the revolver?”

“The paper doesn’t say it was, and I don’t think it was; because

logically it appears to me that the revolver was used by Mademoiselle

Stangerson against the assassin. Now, what weapon did the murderer use?

The blow on the temple seems to show that the murderer wished to stun

Mademoiselle Stangerson,—after he had unsuccessfully tried to strangle

her. He must have known that the attic was inhabited by Daddy Jacques,

and that was one of the reasons, I think, why he must have used a quiet

weapon,—a life-preserver, or a hammer.”

“All that doesn’t explain how the murderer got out of ‘The Yellow

Room,’” I observed.

“Evidently,” replied Rouletabille, rising, “and that is what has to be

explained. I am going to the Château du Glandier, and have come to see

whether you will go with me.”

“I?”—

“Yes, my boy. I want you. The ‘Epoque’ has definitely entrusted this

case to me, and I must clear it up as quickly as possible.”

“But in what way can I be of any use to you?”

“Monsieur Robert Darzac is at the Château du Glandier.”

“That’s true. His despair must be boundless.”

“I must have a talk with him.”

Rouletabille said it in a tone that surprised me.

“Is it because—you think there is something to be got out of him?” I

asked.

“Yes.”

That was all he would say. He retired to my sitting-room, begging me to

dress quickly.

I knew Monsieur Robert Darzac from having been of great service to

him in a civil action, while I was acting as secretary to Maître

Barbet Delatour. Monsieur Robert Darzac, who was at that time about

forty years of age, was a professor of physics at the Sorbonne.

He was intimately acquainted with the Stangersons, and, after an

assiduous seven years’ courtship of the daughter, had been on the

point of marrying her. In spite of the fact that she has become, as

the phrase goes, “a person of a certain age,” she was still remarkably

good-looking.

While I was dressing I called out to Rouletabille, who was impatiently

moving about my sitting-room:—

“Have you any idea as to the murderer’s station in life?”

“Yes,” he replied; “I think if he isn’t a man in society, he is, at

least, a man belonging to the upper class. But that, again, is only an

impression.”

“What has led you to form it?”

“Well,—the greasy cap, the common handkerchief, and the marks of the

rough boots on the floor,” he replied.

“I understand,” I said; “murderers don’t leave traces behind them which

tell the truth.”

“We shall make something out of you yet, my dear Sainclair,” concluded

Rouletabille.