CHAPTER I
AT THE STAGE DOOR
Courtlandt sat perfectly straight; his ample shoulders did not touch the
back of his chair; and his arms were folded tightly across his chest. The
characteristic of his attitude was tenseness. The nostrils were well
defined, as in one who sets the upper jaw hard upon the nether. His brown
eyes--their gaze directed toward the stage whence came the voice of the
prima donna--epitomized the tension, expressed the whole as in a word.
Just now the voice was pathetically subdued, yet reached every part of the
auditorium, kindling the ear with its singularly mellowing sweetness. To
Courtlandt it resembled, as no other sound, the note of a muffled Burmese
gong, struck in the dim incensed cavern of a temple. A Burmese gong:
briefly and magically the stage, the audience, the amazing gleam and
scintillation of the Opera, faded. He heard only the voice and saw only
the purple shadows in the temple at Rangoon, the oriental sunset splashing
the golden dome, the wavering lights of the dripping candles, the dead
flowers, the kneeling devotees, the yellow-robed priests, the tatters of
gold-leaf, fresh and old, upon the rows of placid grinning Buddhas. The
vision was of short duration. The sigh, which had been so long repressed,
escaped; his shoulders sank a little, and the angle of his chin became
less resolute; but only for a moment. Tension gave place to an ironical
grimness. The brows relaxed, but the lips became firmer. He listened, with
this new expression unchanging, to the high note that soared above all
others. The French horns blared and the timpani crashed. The curtain sank
slowly. The audience rustled, stood up, sought its wraps, and pressed
toward the exits and the grand staircase. It was all over.
Courtlandt took his leave in leisure. Here and there he saw familiar
faces, but these, after the finding glance, he studiously avoided. He
wanted to be alone. For while the music was still echoing in his ears, in
a subtone, his brain was afire with keen activity; but unfortunately for
the going forward of things, this mental state was divided into so many
battalions, led by so many generals, indirectly and indecisively, nowhere.
This plan had no beginning, that one had no ending, and the other neither
beginning nor ending. Outside he lighted a cigar, not because at that
moment he possessed a craving for nicotine, but because like all
inveterate smokers he believed that tobacco conduced to clarity of
thought. And mayhap it did. At least, there presently followed a mental
calm that expelled all this confusion. The goal waxed and waned as he
gazed down the great avenue with its precise rows of lamps. Far away he
could discern the outline of the brooding Louvre.
There was not the least hope in the world for him to proceed toward his
goal this night. He realized this clearly, now that he was face to face
with actualities. It required more than the chaotic impulses that had
brought him back from the jungles of the Orient. He must reason out a plan
that should be like a straight line, the shortest distance between two
given points. How then should he pass the night, since none of his schemes
could possibly be put into operation? Return to his hotel and smoke
himself headachy? Try to become interested in a novel? Go to bed, to turn
and roll till dawn? A wild desire seized him to make a night of
it,--Maxim's, the cabarets; riot and wine. Who cared? But the desire burnt
itself out between two puffs of his cigar. Ten years ago, perhaps, this
particular brand of amusement might have urged him successfully. But not
now; he was done with tomfool nights. Indeed, his dissipations had been
whimsical rather than banal; and retrospection never aroused a furtive
sense of shame.
He was young, but not so young as an idle glance might conjecture in
passing. To such casual reckoning he appeared to be in the early twenties;
but scrutiny, more or less infallible, noting a line here or an angle
there, was disposed to add ten years to the score. There was in the nose
and chin a certain decisiveness which in true youth is rarely developed.
This characteristic arrives only with manhood, manhood that has been tried
and perhaps buffeted and perchance a little disillusioned. To state that
one is young does not necessarily imply youth; for youth is something that
is truly green and tender, not rounded out, aimless, light-hearted and
desultory, charming and inconsequent. If man regrets his youth it is not
for the passing of these pleasing, though tangled attributes, but rather
because there exists between the two periods of progression a series of
irremediable mistakes. And the subject of this brief commentary could look
back on many a grievous one brought about by pride or carelessness rather
than by intent.
But what was one to do who had both money and leisure linked to an
irresistible desire to leave behind one place or thing in pursuit of
another, indeterminately? At one time he wanted to be an artist, but his
evenly balanced self-criticism had forced him to fling his daubs into the
ash-heap. They were good daubs in a way, but were laid on without fire;
such work as any respectable schoolmarm might have equaled if not
surpassed. Then he had gone in for engineering; but precise and intricate
mathematics required patience of a quality not at his command.
The inherent ambition was to make money; but recognizing the absurdity of
adding to his income, which even in his extravagance he could not spend,
he gave himself over into the hands of grasping railroad and steamship
companies, or their agencies, and became for a time the slave of guide and
dragoman and carrier. And then the wanderlust, descended to him from the
blood of his roving Dutch ancestors, which had lain dormant in the several
generations following, sprang into active life again. He became known in
every port of call. He became known also in the wildernesses. He had
climbed almost inaccessible mountains, in Europe, in Asia; he had fished
and hunted north, east, south and west; he had fitted out polar
expeditions; he had raided the pearl markets; he had made astonishing
gifts to women who had pleased his fancy, but whom he did not know or seek
to know; he had kept some of his intimate friends out of bankruptcy; he
had given the most extravagant dinners at one season and, unknown, had
supported a bread-line at another; he had even financed a musical comedy.
Whatever had for the moment appealed to his fancy, that he had done. That
the world--his world--threw up its hands in wonder and despair neither
disturbed him nor swerved him in the least. He was alone, absolute master
of his millions. Mamas with marriageable daughters declared that he was
impossible; the marriageable daughters never had a chance to decide one
way or the other; and men called him a fool. He had promoted elephant
fights which had stirred the Indian princes out of their melancholy
indifference, and tiger hunts which had, by their duration and
magnificence, threatened to disrupt the efficiency of the British military
service,--whimsical excesses, not understandable by his intimate
acquaintances who cynically arraigned him as the fool and his money.
But, like the villain in the play, his income still pursued him. Certain
scandals inevitably followed, scandals he was the last to hear about and
the last to deny when he heard them. Many persons, not being able to take
into the mind and analyze a character like Courtlandt's, sought the line
of least resistance for their understanding, and built some precious
exploits which included dusky island-princesses, diaphanous dancers, and
comic-opera stars.
Simply, he was without direction; a thousand goals surrounded him and none
burned with that brightness which draws a man toward his destiny: until
one day. Personally, he possessed graces of form and feature, and was
keener mentally than most young men who inherit great fortunes and
distinguished names.
* * * * *
Automobiles of all kinds panted hither and thither. An occasional smart
coupe went by as if to prove that prancing horses were still necessary to
the dignity of the old aristocracy. Courtlandt made up his mind suddenly.
He laughed with bitterness. He knew now that to loiter near the stage
entrance had been his real purpose all along, and persistent lying to
himself had not prevailed. In due time he took his stand among the gilded
youth who were not privileged (like their more prosperous elders) to wait
outside the dressing-rooms for their particular ballerina. By and by there
was a little respectful commotion. Courtlandt's hand went instinctively to
his collar, not to ascertain if it were properly adjusted, but rather to
relieve the sudden pressure. He was enraged at his weakness. He wanted to
turn away, but he could not.
A woman issued forth, muffled in silks and light furs. She was followed by
another, quite possibly her maid. One may observe very well at times from
the corner of the eye; that is, objects at which one is not looking come
within the range of vision. The woman paused, her foot upon the step of
the modest limousine. She whispered something hurriedly into her
companion's ear, something evidently to the puzzlement of the latter, who
looked around irresolutely. She obeyed, however, and retreated to the
stage entrance. A man, quite as tall as Courtlandt, his face shaded
carefully, intentionally perhaps, by one of those soft Bavarian hats that
are worn successfully only by Germans, stepped out of the gathering to
proffer his assistance. Courtlandt pushed him aside calmly, lifted his
hat, and smiling ironically, closed the door behind the singer. The step
which the other man made toward Courtlandt was unequivocal in its meaning.
But even as Courtlandt squared himself to meet the coming outburst, the
stranger paused, shrugged his shoulders, turned and made off.
The lady in the limousine--very pale could any have looked closely into
her face--was whirled away into the night. Courtlandt did not stir from
the curb. The limousine dwindled, once it flashed under a light, and then
vanished.
"It is the American," said one of the waiting dandies.
"The icicle!"
"The volcano, rather, which fools believe extinct."
"Probably sent back her maid for her Bible. Ah, these Americans; they are
very amusing."
"She was in magnificent voice to-night. I wonder why she never sings
_Carmen_?"
"Have I not said that she is too cold? What! would you see frost grow upon
the toreador's mustache? And what a name, what a name! Eleonora da
Toscana!"
Courtlandt was not in the most amiable condition of mind, and a hint of
the ribald would have instantly transformed a passive anger into a blind
fury. Thus, a scene hung precariously; but its potentialities became as
nothing on the appearance of another woman.
This woman was richly dressed, too richly. Apparently she had trusted her
modiste not wisely but too well: there was the strange and unaccountable
inherent love of fine feathers and warm colors which is invariably the
mute utterance of peasant blood. She was followed by a Russian, huge of
body, Jovian of countenance. An expensive car rolled up to the curb. A
liveried footman jumped down from beside the chauffeur and opened the
door. The diva turned her head this way and that, a thin smile of
satisfaction stirring her lips. For Flora Desimone loved the human eye
whenever it stared admiration into her own; and she spent half her days
setting traps and lures, rather successfully. She and her formidable
escort got into the car which immediately went away with a soft purring
sound. There was breeding in the engine, anyhow, thought Courtlandt, who
longed to put his strong fingers around that luxurious throat which had,
but a second gone, passed him so closely.
"We shall never have war with Russia," said some one; "her dukes love
Paris too well."
Light careless laughter followed this cynical observation. Another time
Courtlandt might have smiled. He pushed his way into the passage leading
to the dressing-rooms, and followed its windings until he met a human
barrier. To his inquiry the answer was abrupt and perfectly clear in its
meaning: La Signorina da Toscana had given most emphatic orders not to
disclose her address to any one. Monsieur might, if he pleased, make
further inquiries of the directors; the answer there would be the same.
Presently he found himself gazing down the avenue once more. There were a
thousand places to go to, a thousand pleasant things to do; yet he
doddered, full of ill-temper, dissatisfaction, and self-contempt. He was
weak, damnably weak; and for years he had admired himself, detachedly, as
a man of pride. He started forward, neither sensing his direction nor the
perfected flavor of his Habana.
Opera singers were truly a race apart. They lived in the world but were
not a part of it, and when they died, left only a memory which faded in
one generation and became totally forgotten in another. What jealousies,
what petty bickerings, what extravagances! With fancy and desire
unchecked, what ingenious tricks they used to keep themselves in the
public mind,--tricks begot of fickleness and fickleness begetting. And
yet, it was a curious phase: their influence was generally found when
history untangled for posterity some Gordian knot. In old times they had
sung the _Marseillaise_ and danced the _carmagnole_ and indirectly plied
the guillotine. And to-day they smashed prime ministers, petty kings, and
bankers, and created fashions for the ruin of husbands and fathers of
modest means. Devil take them! And Courtlandt flung his cigar into the
street.
He halted. The Madeleine was not exactly the goal for a man who had, half
an hour before, contemplated a rout at Maxim's. His glance described a
half-circle. There was Durand's; but Durand's on opera nights entertained
many Americans, and he did not care to meet any of his compatriots
to-night. So he turned down the Rue Royale, on the opposite side, and went
into the Taverne Royale, where the patrons were not over particular in
regard to the laws of fashion, and where certain ladies with light
histories sought further adventures to add to their heptamerons. Now,
Courtlandt thought neither of the one nor of the other. He desired
isolation, safety from intrusion; and here, did he so signify, he could
find it. Women gazed up at him and smiled, with interest as much as with
invitation. He was brown from long exposure to the wind and the sun, that
golden brown which is the gift of the sun-glitter on rocking seas. A
traveler is generally indicated by this artistry of the sun, and once
noted instantly creates a speculative interest. Even his light brown hair
had faded at the temples, and straw-colored was the slender mustache, the
ends of which had a cavalier twist. He ignored the lips which smiled and
the eyes which invited, and nothing more was necessary. One is not
importuned at the Taverne Royale. He sat down at a vacant table and
ordered a pint of champagne, drinking hastily rather than thirstily.
Would Monsieur like anything to eat?
No, the wine was sufficient.
Courtlandt poured out a second glass slowly. The wine bubbled up to the
brim and overflowed. He had been looking at the glass with unseeing eyes.
He set the bottle down impatiently. Fool! To have gone to Burma, simply to
stand in the golden temple once more, in vain, to recall that other time:
the starving kitten held tenderly in a woman's arms, his own scurry among
the booths to find the milk so peremptorily ordered, and the smile of
thanks that had been his reward! He had run away when he should have hung
on. He should have fought every inch of the way....
"Monsieur is lonely?"
A pretty young woman sat down before him in the vacant chair.