CHAPTER X

THE VOICE OF THE WORLD

If you were to accost the average layman, especially the layman who has,

at one time or another, found his personal affairs, or those of his

friends, casually illuminated by the straying search-light of newspaper

notoriety, and put this hypothetical question to him: What chance would

there be that a young married woman, who, in a social sense, really

"belonged," could leave her husband for a musical-comedy chorus in the

city he lived in, and escape having the fact chronicled in the daily

press?--that layman would tell you that there was simply no chance at

all. But if you were to put the same question to a person expert in the

science of publicity--to an alumnus of the local room of any big city

daily, you'd get a very different answer. Because your expert knows how

many good stories there are that never get into the papers. He allows

for the element of luck; he knows how vitally important it is that the

right person should become aware of the fact at exactly the right time,

in order that a simple happening may be converted into news.

Rose's "escapade"--that's how it would have been described--didn't get

into the papers. Jimmy Wallace, of course, before the bar of his own

conscience, stood convicted of high treason. There was no use arguing

with himself that he was hired as a critic and not as a reporter. For,

just as it is the doctor's duty to prolong, if possible, the life of his

patient, or the lawyer's duty to defend his client, so it is the duty of

every man who writes for a newspaper, to turn himself into a reporter

when a story breaks under his eye. Jimmy ought that very night as soon

as he had made sure of his facts, to have left a note on his city

editor's desk informing him that Mrs. Rodney Aldrich was a member of the

chorus in the new Globe show.

He didn't do it, even though he knew that a more troublesome accuser

than his own conscience--namely, the city editor himself--would confront

him, in case any of his colleagues on the other papers had happened to

recognize her and, dutifully, had turned the story in. He read the other

papers for the next twenty-four hours, rather more carefully than usual,

and then with a sigh of relief, told his conscience to go to the devil.

It was a well trained, obedient conscience, and it subsided meekly.

But his curiosity was neither meek nor accustomed to having its

liberties interfered with, and it declined to leave the problem alone.

Problem! It was a whole nest of problems. If you isolated one and worked

out a tolerably satisfactory answer to it, you discovered that this

answer made all the rest more fantastically impossible of solution than

before. It actually began to cost him sleep! What made it harder to

bear, of course, was the tantalizing possibility of finding out

something by dropping in at the Globe during a performance, wandering

back on the stage, where he was always perfectly welcome, going up and

speaking to her and--seeing what happened. Something more or less

illuminating would have to happen. Because, even in the extremely

improbable case of her pretending she didn't know him, he'd then have

something to go on. He dismissed this temptation as often as it showed

its face around the corner of the door of his mind--dismissed it with

objurgations. But it was a persistent temptation and it wouldn't stay

away.

It was a real relief to him when Violet Williamson telephoned to him one

day and asked him to come out to dinner. There'd be no one but herself

and John, she said, and he needn't dress unless he liked. She'd been in

New York for a fortnight and had only been back two days. He mustn't

fail to come. There was a sort of suppressed excitement about Violet's

voice over the telephone, which led him to suspect she might be able to

throw some light on the enigma.

But light, it appeared, was what John and Violet wanted from him.

They were both in the library when he came in, and after the barest

preliminaries in the way of greetings and cigarettes, and the swiftest

summary of her visit to New York ("I stayed just long enough to begin

being not quite so furious with John for not taking me there to live,")

Violet made a little silence, visibly lighted her bomb, and threw it.

"John and I went to the Globe last night to see _The Girl Up-stairs_,"

she said.

Jimmy carried his cocktail over to the fire, drew sharply on his

cigarette to get it evenly lighted, and by that time had decided on his

line.

"That's an amazing resemblance, isn't it?" he said.

"Resemblance fiddle-dee-dee!" said Violet.

John Williamson hunched himself around in his chair. "Well, you know,"

he protested to his wife, "that's the way I dope it out myself."

"Oh, _you!_" she said, with good-natured contempt. "You think you think

so. Because you've always been wild about Rose ever since Rodney married

her, you just won't let yourself think anything else. But Jimmy here,

doesn't even think he thinks so. He knows better."

"They're the limit, aren't they?" said John in rueful appeal to his

guest. "They not only know what you think, but what you think you think!

It's a marvelous thing--feminine intuition."

"'Intuition,' nothing!" said Violet. Then she rounded on Jimmy.

"How much have you found out about her--this girl with the 'astonishing

resemblance'?"

"Not very much," Jimmy confessed. "According to the program, her name is

Doris Dane. I did ask Block about her. He's one of the owners of the

piece. But he couldn't tell me very much. She's from out of town, he

thinks, and he said something about her being a dressmaker. She did some

work for them on the costumes. And she started in with this show as a

chorus-girl. But Galbraith, the director, got interested in her, and put

her into the sextette."

"Well, there we are," said John Williamson. "That settles it. Rose never

was a dressmaker, that's a cinch."

Even Violet seemed a little shaken, and Jimmy was just beginning to

congratulate himself on the skill with which he had modified what Block

had told him about the costumes, when Violet began on him again.

"All right!" she said. "Where are we? You know quite a lot of people in

that show, don't you?" This was a rhetorical question. It was notorious

that Jimmy knew more or less everybody. So, without waiting for an

answer, she went on, "Well, have you been behind the scenes there since

the thing began?"

"No, I've not gone back," said Jimmy. "Why should I?"

"You haven't even been curious," she questioned, "to find out what a

girl who looked and talked as much like Rose as that, was like?" She

concluded, for good measure, with one more question voiced a little

differently--more casually. "Have you happened to see Rodney lately?"

"Why, yes," Jimmy said unwarily. "I met him at the club the other day;

only saw him for a minute or two. We had one drink."

"And did you happen to tell him," she asked, "about this dressmaker in

_The Girl Up-stairs_ who looked so wonderfully like Rose? Did you offer

to take him round to see for himself?"

"I tell you there's nothing to that!" said John. He'd been caught in the

same trap, it seemed. "What's the use of butting in? If anything has

gone wrong with those two ..."

"You've always said there hasn't," Violet interrupted.

"And you've said," he countered, "that you were sure there had. Well,

then, if there's a chance of it, why run the risk, just for nothing?"

Jimmy, as it happened, had never heard even a suggestion that Rose and

Rodney were on any other terms than those of perfect amity. He hoped

they'd go on and tell him more. So to prevent their becoming suddenly

discreet, he promptly changed the subject.

"I thought you had a taboo against the Globe," he said to Violet. "How

did you happen to go there?"

"John went while I was in New York," she explained.

[Illustration: "Don't you know that that was Rose Aldrich?"]

"He's--well, a regular fan, you know. He hasn't missed a show there in

years. And he was _too_ queer and absent-minded and fidgety for words,

when I came back. I thought a bank must be going to fail, or something.

And when he said, after dinner last night, that he felt like going to a

musical show, of course I said I'd go with him. And when I found it was

the Globe--he already had tickets--I was too--kind and sorry for him to

make a fuss. Well, and then she came out on the stage, and I knew what

it was all about."

"Where did you sit?" Jimmy asked.

"Fifth row," said John.

Violet hadn't got the bearing of Jimmy's question. "Oh, you couldn't

mistake her," she said, "any more than you could in this room, now."

"Do you mean," John asked, "that she might have recognized us?"

"They can't," said Violet, "across the footlights,--can they?"

Jimmy nodded. "In a little theater like that," he said, "anywhere in the

house. But it seems she didn't recognize you."

"Look here!" said Violet. "Don't you know, in your own mind, just as

well as that you're standing there, that that was Rose Aldrich?"

Jimmy dropped down into a big chair. "Well," he said, "I'm willing to

accept it as a working hypothesis."

"You men!" said Violet.

Dinner was announced just then, and the theme had to be dismissed until

at last they were left alone with the dessert.

"What breaks me all up," Violet burst out, abandoning the pretense of

picking over her walnuts, and showing, with a little outflung gesture,

how impatient she had been to take it up, "what breaks me all up is how

this'll hit Frederica. She just adores Rodney and she's been simply

wonderful to Rose--for him, of course."

Neither of the men said anything, but she felt a little stir of protest

from both of them and qualified the last phrase.

"Oh, she liked her for herself, too. We all did. We couldn't help it.

But you haven't any idea, either of you, of even the beginning of what

Frederica did for her--steered her just right, and pushed her just

enough, and all the while seeming not to be doing a thing. Freddy's such

a peach at that! And she's been so big-hearted about it; never even

_felt_ jealous. If it had been me, and I'd adored a brother like that,

and he'd gone off and fallen in love with a girl nobody knew, just

because he saw her in a wrestling-match with a street-car conductor, I'd

have wanted, whatever I might have done, to--well, show her up. And yet,

even after Rose had left him, for no reason at all, Freddy ..."

"You're just guessing at all that, you know," her husband interrupted

quietly. "You don't _know_ a single thing about it."

"Well, what reason _could_ Rose have for leaving him?" she flashed back.

"Hasn't Rodney been perfectly crazy about her ever since he married her?

Has he ever _seen_ another woman the last two years? Or maybe you think

he's been coming home drunk and beating her with a trunk-strap."

But John stuck to his guns. "You don't even know she's left him. The

only thing you do know is that Bella Forrester met Frederica one day,

about a week before Christmas, in the railway station at Los Angeles."

"Well, can you tell me any other reason," Violet demanded, "why Freddy

should dash off alone to California, right in the middle of the holiday

rush, without saying a word to anybody, and be back here in just a week;

and not tell even _me_ what she'd been doing, or where she'd been, so

that if Bella hadn't written to me, I'd never have known about it at

all? Is there any way of explaining that, except by supposing that Rose

had quarreled with Rodney and left him and that Freddy was trying to get

her to come back?"

Neither of the men could offer, on the spur of the moment, the

alternative explanation she demanded. Indeed it would have taken a good

deal of ingenuity to construct one. It was safer, anyway, just to go on

looking incredulous.

There was silence for a minute or two, then Violet burst out again. "And

then, after all Freddy had done, for Rose to come back here to Chicago,

with all the other cities in the country where it wouldn't matter what

she did, and start to be, of all things, a chorus-girl! It's just

a"--she hesitated over the word, and then used it with an inflection

that gave it its full literal meaning--"just a _dirty_ trick. And poor

Freddy, when she knows ...!"

"I don't believe a word of it," said John Williamson. "I don't believe

Doris Dane--if that's her name--is Rose, in the first place. And I don't

believe Rose has had a quarrel with Rodney. But if she has, and if she's

really there in that show ... Well, I know Rose--not so well as I'd have

liked to, but pretty well--and I know she's a fine girl and I know she's

square. And if I ever saw a girl in love with her husband, she was.

Well, and if she has done it, she's got a reason for it. Oh, I don't

mean another woman or a trunk-strap, or any of the regular divorce court

stuff. That's absurd, of course. And it may be, really, a fool reason.

But you can bet it didn't look like that to her. She wouldn't have done

it, admitting it's what she's done, unless she felt she had to."

"Oh, yes," said Violet, "I expect she's feeling awfully noble about it,

and I'll admit she was in love with Rodney. And that makes it all the

worse! If she'd fallen in love with some other man and run off with

him--well, that isn't pretty, but it's happened before and people have

got away with it. But this running away on account of some silly idea

that she's picked up from that votes-for-women mother of hers, running

away from a man like Rodney, too, just makes you sick."

Her husband didn't try to answer her, except with a regretful sigh. He

recognized in the stinging contempt of his wife's words, the voice of

their world. If Doris Dane of the sextette were really Rose--and in the

bottom of his heart, despite his valiant pretense, he couldn't manage

more than a feeble doubt of it--she had committed the unforgivable sin.

Or so he thought, leaving out of his calculations one ingredient in the

situation. She had done an unconventional thing for the sake of a

principle!

"Well," said Jimmy Wallace after a while, heading the conversation away,

as he was wont to do, from what might be an endless discussion of moral

principles, "the purpose of this council of war is to decide what we are

going to do about it. Are we going to tell Aldrich or his sister about

the dressmaker who looks so much like his wife, and let them find out

for themselves whether she is or not? Or are we going to make sure first

by going back on the stage there and having a talk with her? Or are we

just going to shut up about it--never have been to the Globe at all; or,

in my case, never to have noticed the resemblance?"

"On the chance, you mean," John inquired, "that Rodney and Frederica

never find out at all? How much does that chance amount to?"

"Well," said Jimmy, "the show's in its fourth week, and the story hasn't

got into the papers yet. So the chances are now it won't. And you're

about the only person in your crowd that makes a practise of going to

the Globe. If you haven't heard any rumors it probably means that you

two are the only ones who know, so far. People who knew her before she

was married may have recognized her, to be sure, but they aren't likely

to go around either to Aldrich or to Mrs. Whitney with the story. Of

course there's always a big margin for the unforeseeable. But even at

that, I think you might call it an even chance."

"That's what I vote for then," said John, "shut up."

"I certainly don't want to go back on the stage and talk to Rose," said

Violet, "and I simply couldn't make myself tell either Rodney or

Frederica. It would be just too ghastly! But there's another thing you

haven't thought of. Suppose they both know already. I've got an idea

they do."

This was a possibility they hadn't thought of, but the more they

canvassed it, the likelier it grew.

"He acts as if he knew," Violet said, "now I come to think of it. Oh, I

can't tell exactly why! Just the way he talks about her and--doesn't

talk about her. And then there's Harriet. She came home from Washington

and stayed three days with Frederica and then went away again. She kept

house for him while Rose was laid up, and why shouldn't she be doing it

now, except that she's perhaps spoken her mind a little too freely and

Rodney doesn't want her around? There'd be no nonsense about Harriet,

you could count on that."

"It would be like Rose," said John, "to tell him herself. It wouldn't be

like her, when you come to think of it, to do anything else."

"Oh, yes, she'd tell him," said Violet. "If she had some virtuous

woman-suffrage reason, she'd do more than tell him. She'd rub it in. Of

course he knows. Well, what shall we do about that?"

"Same vote," said John Williamson; "shut up. Certainly if he knows, that

lets us out."

But Violet wasn't satisfied. "That's the easiest thing, certainly," she

said, "but I don't believe it's right. I think the people who know him

best, ought to know--just a few, the people he still drops in on, like

the Crawfords, and the Wests, and Eleanor and James Randolph; just so

that they could--well, _not_ know completely enough; so that they

wouldn't, innocently, you know, say ghastly things to him. Or even,

perhaps, do them, like making him go to musical shows, or talking about

people who run away to go on the stage. There are millions of things

like that that could happen, and if they know, they'll be careful."

Her husband wasn't very completely convinced, though she expounded her

reasons at length, and urged them with growing intensity. But he'd never

put a categorical veto upon her yet, and it wasn't likely he'd begin by

trying to, now.

As for Jimmy Wallace, he was really out of it. But he went home feeling

rather blue.