← Table of ContentsThe String of Pearls; Or, The Barber of Fleet Street. A Domestic Romance.

CHAPTER XXV.

TOBIAS MAKES AN ATTEMPT TO ESCAPE FROM THE MADHOUSE.

We cannot find it in our hearts to force upon the mind of the reader the

terrible condition of poor Tobias. No one, certainly, of all the

_dramatis personæ_ of our tale, is suffering so much as he; and,

consequently, we feel it to be a sort of duty to come to a consideration

of his thoughts and feelings as he lay in that dismal cell, in the

madhouse at Peckham Rye. Certainly Tobias Ragg was as sane as any

ordinary Christian need wish to be, when the scoundrel, Sweeney Todd,

put him into the coach to take him to Mr. Fogg's establishment; but if

by any ingenious process the human intellect can be toppled from its

throne, certainly that process must consist in putting a sane person

into a lunatic asylum. To the imagination of a boy, too, and that boy

one of vivid imagination, as was poor Tobias, a madhouse must be

invested with a world of terrors. That enlarged experience which enables

persons of more advanced age to shake off much of the unreal, which

seemed so strangely to take up its abode in the mind of the young

Tobias, had not reached him; and no wonder, therefore, that to him his

present situation was one of acute and horrible misery and suffering.

* * * * *

He lay for a long time in the gloomy dungeon-like cell into which he had

been thrust, in a kind of stupor, which might or might not be the actual

precursor of insanity, although, certainly, the chances were all in

favour of being so. For many hours he neither moved hand nor foot, and

as it was a part of the policy of Mr. Fogg to leave well alone, as he

said, he never interfered, by any intrusive offers of refreshment, with

the quiet or the repose of his patients. Tobias, therefore, if he had

chosen to remain as still as an Indian fakir, might have died in one

position, without any remonstrances from any one. It would be quite an

impossibility to describe the strange visionary thoughts and scenes that

passed through the mind of Tobias during this period. It seemed as if

his intellect was engulphed in the charmed waters of some whirlpool, and

that all the different scenes and actions which, under ordinary

circumstances, would have been clear and distinct, were mingled together

in inextricable confusion. In the midst of all this, at length, he began

to be conscious of one particular impression or feeling, and that was,

that some one was singing in a low, soft voice, very near to him. This

feeling, strange as it was in such a place, momentarily increased in

volume, until at length it began in its intensity to absorb almost every

other; and he gradually awakened from the sort of stupor that had come

over him. Yes some one was singing. It was a female voice, he was sure

of that, and as his mind became more occupied with that one subject of

thought, and his perceptive faculties became properly exercised, his

intellect altogether assumed a healthier tone. He could not distinguish

the words that were sung, but the voice itself was very sweet and

musical; and as Tobias listened, he felt as if the fever of his blood

was abating, and that healthier thoughts were taking the place of those

disordered fancies that had held sway within the chambers of his brain.

"What sweet sounds!" he said. "Oh! I do hope that singing will go on. I

feel happier to hear it; I do so hope it will continue. What sweet

music! Oh, mother, mother, if you could but see me now!"

He pressed his hands over his eyes, but he could not stop the gush of

tears that came from them, and which would trickle through his fingers.

Tobias did not wish to weep; but those tears, after all the horrors of

the night, did him a world of good, and he felt wonderfully better after

they had been shed. Moreover, the voice kept singing without

intermission.

"Who can it be," thought Tobias, "that don't tire with so much of it."

Still the singer continued; but now and then Tobias felt certain that a

very wild note or two was mingled with the ordinary melody; and that

bred a suspicion in his mind, which gave him a shudder to think of,

namely, that the singer was mad.

"It must be so," said he. "No one in their senses could or would

continue for so long a period of time such strange snatches of song.

Alas! alas! it is some one who is really mad, and confined for life in

this dreadful place; for life do I say, am not I too confined for life

here? Oh! help! help! help!"

Tobias called out in so loud a tone, that the singer of the sweet

strains that had for a time lulled him to composure, heard him, and the

strains which had before been redolent of the softest and sweetest

melody, suddenly changed to the most terrific shrieks that can be

imagined. In vain did Tobias place his hands over his ears, to shut out

the horrible sounds. They would not be shut out, but ran, as it were,

into every crevice of his brain, nearly driving him distracted by their

vehemence. But hoarser tones soon came upon his ears, and he heard the

loud, rough voice of a man say--

"What, do you want the whip so early this morning? The whip--do you

understand that?"

These words were followed by the lashing of what must have been a heavy

carter's whip, and then the shrieks died away in deep groans, every one

of which went to the heart of poor Tobias.

"I can never live amid all these horrors," he said. "Oh, why don't you

kill me at once? it would be much better, and much more merciful. I can

never live long here. Help! help! help!"

When he shouted this word "help," it was certainly not with the most

distant idea of getting any help, but it was a word that came at once

uppermost to his tongue; and so he called it out with all his might,

that he should attract the attention of some one; for the solitude, and

the almost total darkness of the place he was in, was beginning to fill

him with new dismay. There was a faint light in the cell, which made him

know the difference between day and night; but where that faint light

came from he could not tell, for he could see no grating or opening

whatever; but yet that was in consequence of his eyes not being fully

accustomed to the obscurity of the place; otherwise he would have seen

that close up to the roof there was a narrow aperture, certainly not

larger than any one could have passed a hand through, although of some

four or five feet in length; and from a passage beyond that, there came

the dim borrowed light which made darkness visible in Tobias's cell.

With a kind of desperation, heedless of what might be the result, Tobias

continued to call aloud for help; and after about a quarter of an hour,

he heard the sound of a heavy footstep. Some one was coming; yes, surely

some one was coming, and he was not to be left to starve to death. Oh,

how intently he now listened to every sound, indicative of the near

approach of whoever it was who was coming to his prison-house. Now he

heard the lock move, and a heavy bar of iron was let down with a

clanging sound.

"Help! help!" he cried again, "help! help!" for he feared that whoever

it was they might even yet go away again after making so much progress

to get at him. The cell door was flung open, and the first intimation

that poor Tobias got of the fact of his cries having been heard,

consisted in a lash with a whip, which, if it had struck him as fully as

it was intended to do, would have done him serious injury.

"So, do you want it already?" said the same voice he had before heard.

"Oh no--mercy! mercy!" said Tobias.

"Oh, that's it now, is it? I tell you what it is, if we have any

disturbance here, this is the persuader to silence that we always use:

what do you think of that for an argument, eh?"

As he spoke, the man gave the whip a loud smack in the air, and

confirmed the truth of the argument, by inducing poor Tobias to absolute

silence; indeed the boy trembled so that he could not speak.

"Well, now, my man," added the fellow, "I think we understand each

other. What do you want?"

"Oh, let me go," said Tobias, "let me go. I will tell nothing. Say to

Mr. Todd that I will do what he pleases, and tell nothing, only let me

go out of this dreadful place. Have mercy upon me--I am not at all

mad--indeed I am not."

The man closed the door, as he whistled a lively tune.