CHAPTER L
Forbes had not been invited to Persis' wedding. She had debated the
matter feverishly and resolved that it was the lesser slight to leave
him out of the twenty-five hundred who received the double-enveloped
engravings. There was a certain distinction in being omitted, and she
knew that he could not account it an oversight. She had been tempted to
write him a letter. She scrawled off a dozen and tore them up in turn.
What she had to say could not be put on paper. Besides, it would be
hideously indiscreet.
But Forbes was present in her thoughts. He was the chief wedding guest
in her soul. He seemed to kneel between her and the groom and try to
shoulder him away. This added a last terror to the multitude of her
frights--frights ranging in importance from a fear that she might kneel
on her veil and pull it askew to nameless terrors of the bridegroom.
There had been a lilt of gaiety in trying on the bridal robe for the
rehearsals and the posings before the camera. But when she made her
final entrance into the snowy costume it seemed to be entering into the
shroud of maidenhood. The journey to the church was like a ride in her
hearse, only that the progress through the streets was difficult because
of a crowd so dense that mounted policemen could hardly push and trample
lane enough for her to reach the awning.
And under the narrow canopy a rabble jostled her and peered into her
face, even plucked at her robes, as if she had been a French princess on
her way to the guillotine. The rabble inside the church was hardly less
insolently inquisitive for being better dressed.
The preliminaries of the march; the whispered instructions and warnings;
the corrected blunders; the stupidity of her father, made a child by the
shame that sweeps over a father at delivering his girl-child to a man to
possess; the sudden grief of her sister, the Countess; Persis' almost
overpowering tempest of desire to flee from the church and run to Forbes
for refuge--a whirlpool of emotions and memoranda and impressions.
And then the march beginning, the organ blaring, the ushers setting
forth, and her sister and the children and the maids of honor; herself
clinging to her father's arm, which trembled so that she rather
supported him than he her; the arrival at the altar, where Willie was
standing, a sick green from church-fright; the waiting priests, the
rites, the hush of the throng to hear the answers; the strange piping
tone of Willie's voice; the odd sound of her own.
Now she was filled with a realization of the awe of this great deed, a
realization so vivid and so new that it seemed to be her first
understanding of it. While she was kneeling in the prayer her thoughts
were not soaring aloft, but swirling with thoughts of Forbes and
memories of his embraces, a sense of his arms clasping her now so that
she could hardly breathe, a wondering if his eyes and thoughts were on
her, and where her nightcap was, and a swooning recollection of her cry
of "Help me, Harvey!" a frightful impulse to leap to her feet and cry
again to him to help her--then sick shudders at the blasphemy of such
thoughts amid the sacraments at her husband's side--for Willie was
already her husband, she wore his ring. He had kissed her. They were
standing up again. They were signing something. They were leaving the
church. It was over. It was just beginning. She was no longer her own;
nor her father's. Her father could not protect her from this man at her
side. Nobody could. The police and the judges and the laws were drawn
up to keep her his.
Everybody was congratulating her, everybody was smiling, everybody was
grinning to think that the marriage was not yet consummated. Back of all
the gorgeousness and the glitter and the music and the sacrament waited
the hideous profanation, the grossness, the violation of all that was
precious and secret and holy.
She had a blurred sense of returning to the carriage and to the house,
and of the mob there, the clatter of tongues, the price-mark appraisal
of gifts, the swinish greediness about the buffet, the smirking
repetition of the same banalities, the lines of drifting hands, the
faces that floated up like melons on a stream and spoke and sometimes
kissed her. But what did it matter who kissed her now? They were
Willie's cheeks and Willie's lips. She was all Willie's, now and for
evermore.
Eventually, when she was white-mouthed with fatigue and eager to swoon
out of the pandemonium, some one took pity on her, and she was spirited
away to her room and her bridal livery taken from her. The weight of the
veil and the train had been greater than she knew. The blossoms were
lifted from her head, and in their place a little black straw hat with a
frill of black tulle was pinned. And in place of her white satin a
simple Callot gown of sage-green cloth was fastened about her girlhood
the last time.
She looked to be only a smart young woman, but she was now truly in the
robe of sacrifice. They whispered about her and called her "Mrs. Enslee"
with immemorial mischief; but it was still Persis Cabot that slipped
from the house and met Willie, still a bachelor. They hurried into the
limousine and sped to that clandestine meeting in the hotel suite where
they were to tarry till the morrow. And then the yacht was to take them
on a long cruise across an ocean of bliss to the unknown continent
beyond the honeymoon.
And now the crowdless silence seemed to ring in her ears. She had heard
so much noise and suffered so many stares and vibrated to so many
excitements that the abrupt hush left her dizzy as on the edge of an
unexpected abyss. It was like one of Beethoven's symphonies, where sound
is piled on sound and speed on speed till the storm sweeps toward an
intolerable climax, and just as the thunder and the lightning are to
come there is instead a complete hush; and then a little oboe voice
twanging.
She had been swept and spun in a maelstrom, an eternal crash! crash!
crash! Then suddenly she was alone in a room with this little man. She
heard the thud of the door like a coffin lid. She heard the lock click;
she saw him peering at her with a fox-like slyness. He was whipping off
his coat and waistcoat and fumbling at his scarf. And his words were in
his whining, oboe voice:
"Well, that's over. And, thank God, I can get out of this damned collar
before it chokes me!"
That was his first comment on their solitude! But it was better than the
love speeches he tried to make next.
She sank into a chair; but he was wrapping his arms about her. He was
trying to say pretty things, and making a complete fiasco. He was
kissing her with ownership, and she dared not turn her lips from his,
though all her soul was averted.
He was tugging at her hatpins and pulling her hair naggingly. She rose,
controlling her impatience, and spoke with a meekness that amazed her:
"Nichette is there. She will--help me."
He grinned peevishly.
"Nichette, eh? I thought we were to be alone--for once? Well, send her
away--as soon as you can."
He spoke already with command, and she said, with that sick meekness:
"All right, Willie."
She slunk away and was afraid to meet the eyes of Nichette. And even
Nichette wept at her ministrations. And then she sent Nichette away. At
the door Nichette paused to stare through eyes of water, then ran back
and clasped Persis and kissed her, and ran out and closed the door.
And Persis waited for her husband. Her thoughts were bitter. She was
utterly ashamed. It was not the beautiful shame of a bride whose lover
knocks at her door. She was understanding her bargain. She had kept
herself for Willie Enslee. She had fought off lovers and love and fled
from her own heart that she might be worthy of Willie Enslee and his
money! Her body was no longer a shrine. She had rented it to the highest
bidder. And the tenant had arrived.