CHAPTER XVIII
"SOME DAY YOU'LL BE THE TALK OF THE TOWN"
As the two paced up and down in front of the playhouse Lavinia told the
actor the whole story. Spiller smiled indulgently at the love portion of
the narrative, but was impressed by the test Lavinia had gone through at
Pope's Villa and by Gay's belief in her future.
In Spiller's opinion there was no reason why Lavinia should not succeed
as a comedy actress. Her want of experience was nothing. Her natural
vivacity and intelligence were everything. Experience would soon come.
What actress who in those days became celebrated had had much training
before she went on the boards? Where was the opportunity with but four
theatres in London and one of them devoted to opera?
People were still living who could remember Kynaston the beautiful youth
as the sole representative of women's parts before actresses were known
on the stage. Nell Gwynne came from the gutter, and Nance Oldfield from
a public house in St. James's Market. Mrs. Barry had possibly had some
training under Davenant, who secured her an engagement, and she was at
first a failure. She was destined for tragedy and tragic actresses are
not made in five minutes, but comedy demanded little more than inborn
sprightliness and high spirits. Lavinia had both, and she could sing.
Spiller, comedian as he was, possessed what we now call the artistic
temperament. He was not contented with the mannerisms which provoke a
laugh and because they never vary--the characteristic of many comedians
who like to be recognised and applauded directly they step upon the
stage. Spiller bestowed the greatest pains upon his "make up", and so
identified himself with the part he was playing as completely to lose
his own personality, and bewildered his audience as to whether he was
their favourite they were applauding. He had the art of acting at his
fingers' ends.
"Child," said he when Lavinia had finished, "Mr. Gay and Dr. Pepusch did
not mistake. You've but to observe and work and some day you'll be the
talk of the town."
"Do you really mean that, Mr. Spiller?"
The girl's voice was tremulous with delight. Spiller's praise was of
greater value than Gay's. He was an actor and knew.
"I shouldn't say so if I didn't. I mustn't lose sight of you. A pity
you'll be staying at Hampstead. I'd like to take you to Mr. Rich. You
ought to be near at hand."
"But I don't want to go to Hampstead. I hate the very notion," cried
Lavinia breathlessly. "If I could only find a lodging in town!"
"That might be managed. There are lodgings to be had in the house in
Little Queen Street where Mrs. Egleton lives. But have you any money?"
"Enough to keep me for a week. Maybe Mr. Rich would find something for
me to do. I can dance as well as sing."
"I'll warrant you, but John Rich does all the dancing himself, and as
for singing--he doesn't think much of it. But we'll see. Wouldn't your
friend the duchess help you?"
"I don't know. I'm afraid I'm out of her grace's favour," said Lavinia
dolefully. "Besides, she might want to send me back to Queen Square.
Lud, I couldn't bear that. Miss Pinwell wouldn't have me, though," she
added in a tone of relief.
"I'll wager she wouldn't," said Spiller dryly. "She'd be in mortal fear
of the whole of her young ladies following your example and running away
with the town sparks. Well, we'll see what can be done for you, Polly,
though I fear me I'm going to have a sad pickle on my hands."
"Oh, pray don't say that, Mr. Spiller. What's happened was not my
doing."
"Of course not. But let us to Little Queen Street. If Mrs. Egleton is in
the mood she may be of use to you. But take care not to ruffle her
plumes. You've heard of her I doubt not?"
"Oh, yes. I saw her once at Drury Lane. She sings does she not, sir?"
"Aye, so mind and not outsing her."
They walked along the western side of the Fields to Little Queen Street,
where the houses were substantial enough, though not nearly so imposing
as those in Great Queen Street where many noblemen and rich people
lived.
Spiller was well known to the proprietor of the house, where Mrs.
Egleton lodged and was received with effusion. Mrs. Egleton was not up,
as indeed Spiller expected, nor would she be until past mid-day. But
this did not matter. The landlady had a front attic vacant which she was
willing to let to anyone recommended by Mr. Spiller for a very small
sum, and here Lavinia installed herself.
"Have a rest, Polly, and something to eat," said Spiller. "I shall call
for you about eleven o'clock. I want you to look your best. We're going
to see Mr. Rich. Heaven give us luck that we may find him in good
humour."
"Do you mean this morning?" cried Lavinia, in dismay.
"Well, I don't mean this evening. You're not afraid, are you?"
"No, I don't think I am, but--but I would that I had a new gown and
cloak. See how frightfully draggled they are."
"Odds bodikins, Mr. Rich doesn't want to see how you're gowned. Mrs.
Sanders will lend you a needle and thread and help you patch yourself."
Lavinia would have protested but Spiller laughed away her objections,
and departed with a final injunction to be in readiness when he called.
When the girl was alone she looked around her new abode with interest
and curiosity. The room was small; it had a sloping roof coming so low
at one end where the bed was that she would have to take care not to
strike her head against the ceiling when she sat up. The furniture was
scanty and plain but the place was clean. For the first time in her life
she was completely her own mistress. She sank into a roomy arm-chair,
and surveyed her domain with much satisfaction; then she half closed her
eyes and indulged in a day dream.
Everything in the most wonderful way had turned out for the best. She
dreaded being banished to Hampstead. It had threatened insuperable
obstacles in the way of her love and her ambition. She had felt that she
was going into exile. But all was now smooth. Her scruples about keeping
her promise to Vane vanished. If only her visit to Mr. Rich proved
successful, her happiness would be complete.
The time sped in her roseate musings. She had had a rest as Spiller
advised and springing up she attacked her ragged attire with renewed
energy. When Spiller called, she looked so fresh and animated the
comedian laughed and complimented her.
"Gadsooks," he exclaimed, "you clever hussy! It's well our plans are
altered. If Rich not only offered thee an engagement but made love into
the bargain then the fat would be in the fire. He hath a termagant of a
wife. She'd as lief scratch your face as look at you. But thank the Lord
you're safe."
"Safe? I don't understand," cried Lavinia a little flustered. "Am I not
to see Mr. Rich then?"
"Not yet. Didn't I say our plans are altered? The Duke's is in turmoil.
Rich let the theatre to Huddy and his company of strolling players--at
least Huddy says he did--and has now cried off the bargain and Huddy is
turned out. Rich hasn't any play ready so it's no use taking you to
him."
"Oh, how unlucky! I shan't have any chance after all."
Poor Lavinia almost broke down. The shattering of her castle in the air
was more than she could endure.
"Not with Rich just yet. But don't despair. Huddy has taken his company
to the New Theatre and it'll go hard if I don't talk him into putting
you into a part. It may be all for the best. You'd only get a promise
out of Rich whereas Huddy might be glad to get you. He's in a mighty
hurry to open the theatre. We'll go at once to the Haymarket."
Lavinia was a little disappointed, but not dismayed. After all an
immediate entrance into the magical stage world was the important point.
She had to begin somewhere, and to play at the New Theatre was not like
playing in an inn yard or mumming booth.
They reached the stage door of the New Theatre, afterwards called the
Little Theatre in the Haymarket, which it may be said in passing was not
quite on the site of the present Haymarket Theatre. The entrance was
small, the passage beyond was dark and they had to grope their way to
the stage, which lighted as it was by half a dozen candles or so was
gloomy enough. The daylight struggled into the audience part through a
few small windows above the gallery. A rehearsal was going on, and a red
faced man with a hoarse voice was stamping about and shouting at the
performers. When he saw Spiller he stopped and came towards the
comedian. Compared with Huddy, Spiller was a great man.
Spiller stated his business and introduced Lavinia. The manager stared
at her, shifted his wig, scratched his head and grunted something to the
effect that he couldn't afford to pay anybody making a first appearance.
"Look 'ee here, Mr. Spiller. It's my benefit and my company don't expect
a penny. D'ye see! I've been used in a rascally fashion by that
scoundrel Rich, and I'll have to raise a few guineas afore I can start
in the country."
Spiller saw the position and said that the young lady who he was careful
to point out was a "gentlewoman" was quite willing to appear on these
terms and so the matter was settled.
"She won't have much of a part. We're playing 'The Orphan' and all I can
give her is Serina. I've had to make shift with the young 'oman as
carries the drum and looks after the wardrobe. It's likely as the young
gentlewoman'll do as well as her, a careless, idle slut as don't know
how to speak her words decently."
Nor did Mr. Huddy, Lavinia thought. But this was nothing. The owner of a
travelling play acting booth was as a rule an illiterate showman.
"When do you rehearse 'The Orphan?'" asked Spiller.
"We're a-doing of it now. It's just over or the young gentlewoman--you
haven't told me her name----"
"Fenton--Lavinia Fenton."
"Oh, aye. I was a-going to say that if we hadn't finished Miss Fenton
might stay and get some notion of the play. Let her come
to-morrow--half-past ten, sharp, mind."
"Do you hear that, Polly?" said Spiller in an undertone.
"I shan't fail, sir, you may be sure," replied Lavinia joyfully.
Spiller knew some of the company and he introduced Lavinia to the
leading lady, Mrs. Haughton, who was to play the mournful, weeping
Monimia in Otway's dismal tragedy. But for Spiller the "star" actress
would hardly have deigned to notice the girl; as it was she received
Lavinia with affability marked by condescension. Mrs. Haughton was a
"star," who did not care to associate with strolling players.
Lavinia left the theatre in the seventh heaven of delight. Everything
she had wished for was coming to pass. She longed for the evening. She
saw herself telling the wonderful tale of her good luck to Lancelot. She
was sure of his warm sympathy and she pictured to herself his smile and
the ardent look in his eyes.
Spiller suggested a walk in the Mall so that he might give the novice a
few practical hints. Huddy had handed Lavinia her part written out, but
it did not tell her much, as everything the other characters in the play
had to say was omitted and only the cues for Serina left.
"Just sixteen lines you've got to learn. That won't give you much
trouble. I'll show you how to say them. Don't forget to listen for the
cues and come in at the proper place."
The lesson did not take long. Lavinia soon had a grasp of the character
(Serina figures in the play as a bit of padding and has very little to
do); her articulation was clear and she could modulate her voice
prettily. Spiller said she would do very well, and wishing her good
luck, took his departure and left her in St. James's Park.
He could not have done Lavinia a better turn. Rosamond's Pond was at the
south-west corner of the Park and Rosamond's Pond was in Lavinia's mind.
It had occurred to her that Lancelot had not fixed any particular spot
as the place of meeting. The pond was of a fair size, it would be dark
and it might so happen that while he was waiting for her on one side she
might be on the other. Still, this was scarcely likely, for they would
both approach the Pond from the east.
However, there would be no harm in fixing the bearings of the pond in
her mind and so she crossed the park and skirting the formal canal now
transformed into the ornamental water, reached the pond which was at the
end of Birdcage Walk near Buckingham House, an enlarged version of which
is known to us to-day as Buckingham Palace.
The pond was amidst picturesque surroundings. There was nothing of the
primness which William III. had brought with him from Holland. The
trees had been allowed to grow as they pleased, the shrubs were
untrimmed, the grass uncut. The banks of the pond were steep in places,
shelving in others. Here and there were muddy patches left by the water
receding after heavy rains. But the wildness and the seclusion had their
attractions, and little wonder was it that love had marked Rosamond's
Pond as its own.
There was something like a promenade on the higher ground to the east.
Here it was dry and Lavinia decided that this was the most likely spot
which Lancelot would select. Moreover, a path from the Mall near St.
James's Palace led direct to the Pond and by this path Vane would be
sure to come.
The crisp air was exhilarating and the young grass gave it sweetness.
The twittering of the birds suggested a passage of love. The mid-day sun
shone upon the distant Abbey and very romantic did its towers look
against the blue sky.
Lavinia's spirits rose. She felt very happy. Her real life was
beginning. All that had happened, her mad escapade with Dorrimore, the
baseness of her mother, her escape from the house in the Old Bailey, her
many trials and tribulations were mere trifles to be forgotten as soon
as possible. But her thoughts of Lancelot Vane--oh, they were serious
enough. There was no pretence about them. And to fill her cup of joy
would be her first appearance on the stage!
For a brief space this overpowered everything. Coming to a bench she sat
down, drew out the manuscript of the play and read over her part and
recalled everything Spiller had said about the various points. When she
rose she knew the lines and the cues by heart. Then it occurred to her
that she was hungry and she pursued her way back to her lodgings in
Little Queen Street.